Agents
of Imagination Star
Wars and the Rise of Troy Anne
Sudworth Interviewed Offworld
Report: March 2003 Paul
Barnett to Leave Paper Tiger Who
Watches the Watchmen Cease
Fire (Star Trek Enterprise) Stigma
(Star Trek Enterprise) The
Film Without Fear - or Shame. The
Second Coming Building
a Better Battlestar BOOK REVIEWS Compass Reach by Mark W. Tiedmann Crossroads Of Twilight by Robert Jordan The Mammoth Book Of Best New SF #15 edited by Gardner Dozois Broken Angels by Richard Morgan How To Read Superhero Comics And Why by Geoff Klock Knight Rider Legacy by John Huth IV and Richie F. Levine Enchanted World: The Art Of Anne Sudworth. Text by John Grant The Birthday Of The World And Other Stories by Ursula LeGuin The Human Front by Ken MacLeod/A Writer’s Life by Eric Brown The Way Of The Rose by Valery Leith The Iron Chain by Steve Cockayne Orphans Of Earth by Sean Williams and Shane Dix The Poison Master by Liz Williams Angel: Impressions by Doranna Durgin Angel: Sanctuary by Jeff Mariotte The Gathering Storm by Kate Elliott Shadow Puppets by Orson Scott Card Video Reviews
Science fiction and fantasy authors such as Ursula K. LeGuin, Terry Bisson, Jeffrey Ford, James Patrick Kelly, Ellen Datlow, Karen Joy Fowler, Michael Moorcock, John Kessel, Lisa Goldstein, Kelly Link and many others all signed the Artists and Writers' Petition Against War on Iraq. But what do you, the SFF fans of the world think? Is a second Gulf war the best - perhaps only - way to get rid of this truly evil tyrant, or should we have kept on trying the U.N route, and if that didn't work out, just applied a large touch of the Prime Directive to this troubled region of the world? We'll be really interested to see the results of this poll. Please vote now ... Vote at http://www.SFcrowsnest.com/pollarchive.htm LAST MONTH'S RESULT
Well, a resounding 86% of you were in favour of keeping the space programme fully manned, while only 14% of you wanted to play it safe and make the near-term future of space exploration robot-based.
Books that talk to you? No, it isn't some strange product of nanotechnology where your next Tor novel is going to feature an embedded paper-thin A.I. - it's books on tape, and has our Rod found a site for you this month. http://www.SFcrowsnest.com/directory/wiz0403.htm
Welcome to the 'Nest's April 2003 issue, SFF'izens. I was going to talk about the war for this month's piece, but given that Geoff's editorial touches on GW-II, and you can't turn on a radio or TV without getting wall-to-wall realtime on our strange little 21st century hyperwar, I thought I might try for a more escapist subject to take my - and your - mind off the general shitiness of the real world for a little while. And the subject? Well, the subject is art. To be more specific, the illustrations that appear inside science fiction & fantasy magazines and on the covers of SFF novels, mags and zines. As regular 'Nest readers might have gathered, I'm a big fan of genre art, and nothing makes my heart flutter so much as seeing the detailed work of a true Leonardo of the airbrush like say, Jim Burns. As something of a failed illustrator myself, I became just talented enough to realize that anything I could produce would always fall short of the watercolour intensity of Alan Lee or the shaped malevolence of Syd Mead. In short, I developed enough taste to realize how bad I was, but not enough to transcend my shortcomings. Such are the disappointments of a callow youth. Now a lot is heard about the difficulties - real or perceived - of new writers breaking into print (when you pick up the latest copy of Spectrum SF in Borders and see that it's closed to anything but invited submissions, I'd have to lean towards the 'real' side of the camp). But believe me, it's nothing to the problems that talented new illustrators experience in breaking into the field. For starters, there was the recent announcement that a stable of long-established US genre magazines (who shall remain nameless here) are dropping all interior art from their publications - presumably for cost-saving reasons. How empty will those titles feel now? Then there's the trend for book publishers, increasingly prevalent I believe, to plaster their novels with photomontaged art rather than illustrations. You know what I'm talking about. Grab a couple of pieces of stock photography from that CD, load into Adobe Photoshop and let rip. The Quark Xpress monkeys in the layout department can really go to town with these packages. A few blends, a tweak of the shadow gradient, apply a mezzotint filer and voila, art out of a can. No skill required. Well bada-boom bada-bing, Mr Publisher, you just saved the $1000.00 minimum shell-out for a decent cover illustration. In the real world, productive cash cows like Terry Pratchett get Josh Kirby, the rest of us get Photoshop's Solarize plug-in courtesy of Georgio from the imprint's Creative Services department. Sometimes before I turn in for the evening, I might stroll through my library and run my hands along the spines; and it's the books' jacket art which project the soul of a novel. I can't think of China Mieville's The Scar without associating it with the dark textured canvas oils of Edward Miller, or Patrick Tilley's Amtrak Wars series without the cartoon-bright covers of Tony Roberts. But when I get to penny-pinching novels pulled together out of thirty-dollar Corbis stock royalty-free images, they feel like the hide of a skinned animal ripped off and worn by a cheap Hollywood actress. Time for some new clichés? Not for me, old bean. Give me those old covers with an alien robot slinging a hysterical sun-bathing supermodel over its shoulder while atomizing a tank any flipping time. Stephen Hunt
One of the nice things about being online is that SFcrowsnest can publish slightly off-the-wall material that would never find a home in a highly targeted advertising-ruled print magazine world. An article we always trot out as an example of this, is Uncle Geoff's piece about what the heck fuel & engine combination the Thunderbirds craft might have used in the classic 1960s TV series of the same name. Let's face it, you're not going to read the likes of that in SFX, Starlog, Starburst, Interzone or the rest of the print mafia's publications! If there's an article inside you - could be continuity errors in Andromeda, your latest work of short fiction, or just why you think Iain Banks' novels are the greatest SF since a little man called Verne put pen to paper - do drop Geoff a line below. Contact
Uncle Geoff in the rainy English countryside at gfwillmetts We still fund this puppy's bandwidth and other miscellaneous expenses out of our own pocket, so the spirit of volunteerism is about the only thing that keeps our happy ship in hyperspace. Any time, articles, stories or reviews you can submit are always appreciated. Current requirements:
April 2003 BTW, if you're interested in becoming a book or DVD reviewer, we'd really, really (no, really) appreciate it if you were UK-based. Posting out the hundred of goodies we get every week is an expensive business, and extra airmail costs could lead to Geoff, Jessica, Mark and Steve eating dog food in a crazed economy-drive of death. Of course, if you're based in the US or Australia and you fancy reviewing your own stash of goodies resulting from your science fiction and fantasy addiction, then that okay by us ... but we can't supply you ourselves! Sorry.
Got your own web site? Then increase the traffic to it today! Thanks to our nifty new syndication engine, you can now add SFcrowsnest.com's monthly news to your own web site for free. It's a lot of work creating dynamic, fresh content to attract visitors back to your science fiction/fantasy web site. Now - with a one-minute cut & paste of two lines of code - you can take some of the effort out of the process ... and give your users another reason to visit your own fab online offering. You can find full details of this new tool over at ... http://www.SFcrowsnest.com/portablenews.htm
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