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The
Trials And Tribbleations Of Writing Science Fiction And Fantasy
Sarah Dobbs of SciFantastic
brings the Pests at the 'Nest a quick interview with SF author extraordinaire,
David Gerrold.
Any Science Fiction fan worth their salt
or their stick-on Vulcan ears has heard of David Gerrold. He was
the man with the plan behind The Trouble With Tribbles, which
he describes as his first major success.
Tribbles
has now assumed its rightful place in Trekkie history as one of
– if not the - most beloved and memorable Star Trek episodes of
all time. And it doesn’t stop there either. David was also responsible
for bringing the Battle For The Planet Of The Apes to bookshops
around the globe.
Not only that, but he has clocked up an impressive list of TV credits
that are longer than Voyager’s journey home. They are Babylon 5,
Logan’s Run, Superboy, The Twilight Zone and Tales From The Darkside
to name but a few.
Raised in San Fernando Valley, the Hugo and Nebula award winning
author now lives in sunny California with his adopted son Sean.
On his website, David tells the world about how he once harbored
suspicions that Sean was of extra terrestrial origins. Not now.
Apparently, ‘now he is sure.’
Here, David shares his thoughts on his phenomenal career and deals
out some refreshing advice to aspiring writers, who can but dream
about following in such huge footsteps.
SD: What is your top tip for creating
believable sci-fi?
DG: You have to believe in it yourself if you want anyone else
to believe it. That means you have to do your research. There are
too many writers putting words to paper who do not take the time
to look up their facts.
If you're going to write science fiction, you should know enough
science so that you don't have to make up silly techno-jargon. The
reader wants to be enlightened, not bamboozled. Or, to put it another
way, the audience will suspend disbelief … they won't suspend common
sense.
SD: What do you consider to be your first
major success and how do you feel about this achievement?
DG: For me, my first major success was The Trouble With Tribbles
episode of Star Trek. I'm very proud that it turned out to be such
a memorable and popular episode. I wanted to do something special
for the show, and the success of the episode surpassed my wildest
dreams.
I'm very proud of the fact that the fans have made the tribbles
such a special part of the Star Trek universe.
SD: Do you prefer to read 'hard' science
fiction, pure fantasy or a mixture of both?
DG: I like stories that enlighten and enliven. I like to be surprised.
I like my imagination tickled. I like those moments of aha! and
wow! and ohmygoodness! that can only happen when an author has taken
the time to build a coherent world and then move into it and look
around and show how it works.
I've read wonderful fantasies and wonderful science fiction, and
I enjoy both.
SD: Does a career in journalism or short
story writing make it easier to publish novels in the future - or
can unknown writers get published just as easily?
DG: The only way to sell a novel is to write a novel that is worth
publishing. A career in journalism will teach you how to report
facts in a clear and concise manner. This trains you in a very readable
style and many good writers have come from the ranks of journalists.
Short stories train you in the techniques of fiction and are a
great way to strengthen yourself before tackling the larger canvas
of a whole novel. I recommend both areas as a great training ground,
but ultimately writing a novel is its own kind of challenge. A novel
is a commitment of 3 to 6 months.
Nobody ever finished a novel by accident. It takes determination.
SD: Did you find it very hard to get published
initially?
DG: No.
SD: Finally, what advice would you give
to aspiring writers on the verge of giving up?
DG: Anyone who is thinking about quitting should quit. If you can
be discouraged, then you're not meant to be a writer. If you're
too stupid to quit, too stubborn to quit, too hard-headed to quit,
too determined to quit, too curmudgeonly to quit, too crazy to quit,
too fanatic to quit – then maybe you have what it takes to get from
page one to page last.
But if you're thinking of quitting, then obviously you don't have
that kind of determination and you should quit now and stop wasting
your time and move on to something else. It isn't just that you
have to love writing - you have to want to write the same way you
want to take your next breath.
If that's not your relationship with writing, then you might want
to reconsider why you are sitting at the keyboard and typing. And
once you do give up, you accomplish two valuable things - first,
you have a lot more time for stuff you care more about, and second,
there's one less person using up trees.
David Gerrold’s book Building Aliens – How to Write Science
Fiction and Fantasy is out now priced £12.99, by Titan Books
(ISBN1-84023357-5).
David’s homepage is at www.gerrold.com
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