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Eon by Greg Bear

Pub: Gollancz (SF Masterworks). 512 page paperback new edition. Price: £6.99 (UK). ISBN: 0575073160

Check out website: www.orionbooks.co.uk


More than anything else, this book is a mystery. The plot is slick and fast-moving, with plenty of tech and social concepts for a hard core SF fan to appreciate.

Eon by Greg BearThe story revolves around a vast object - The Stone - that enters the solar system and settles into a stable orbit. After investigation, evidence of previous habitation is discovered inside it and Earth's politics are thrown into disarray by the quest to unravel its secrets.  

The central character is Patricia Luisa Vasquez, but she is set amongst a unique and fully realised cast of scientists, bureaucrats, soldiers, and 'boojums'. She is a brilliant mathematician who was once told by a Stanford math professor that 'the only beings who would ever fully appreciate her work would be gods or extra-terrestials' and from the outset she plays a pivotal role to the action.

Her almost inhuman capability to understand and calculate complex data places her at the pinnacle of discovery work upon The Stone. She is a suitably troubled heroine as she realises that fate of all life on Earth might depend upon her calculations...   ‘Each day, then, was a victory with reality showing her how wrong she could be.’  

I haven't read anything with such a clarity and depth of vision since Frank Herbert's 'Dune'. The pressure and enigma of The Stone increases the more you learn about its construction and purpose.

Every time it appears as though a solution might be found, another problem presents itself - bigger, nastier and a whole lot more difficult to comprehend and unravel. I found myself enjoying the occasional info-dump breaks as much as the characters - there are actually chunks of books within the book-  because they give you glimpses at the enormous architecture of the Universe that Greg Bear has so masterfully crafted.  

There is a balanced polarity between plot and character, too. As the focus on the Universe expands beyond dimensional recognition, the focus on the characters draws closer and begins to scrutinise what exactly it means to be 'human'. There are lies, betrayals, nervous breakdowns and suicides.

There is also love, honesty, victory and a whole heap of concepts about existence. At the beginning of the novel, I couldn't imagine how Vasquez - a woman savouring the warmth of her parent's living room, with its aluminium Christmas tree, heavy beams, and gas fire - would eventually end up in environments so different to Earth but Bear's easy style makes even the greatest marvels seem credible.  

‘Like a blowtorch describing an arc in the sky, a meteor plummeted towards the distant sea’s surface. Before it struck, a web of pulsed orange rays lanced out from the horizon and shattered the meteor. More beams sought out and destroyed the crazily weaving fragments. Only dust remained to hit the ocean or land.’  

One of my favourite aspects of 'Eon' is its brittle Cold War atmosphere - perfectly appropriate for the 1985 original release date and still a convincing representation of East-West tensions.

Mirsky, Russian soldier and cosmonaut, offers a respectful if not entirely sympathetic insight into former-Soviet-Republic mentality. Lanier gives us an equally balanced view of a dutiful US official, determined to accompany his charge 'to the very last'.

The paradoxical existence of a contemporary communist Soviet Union is easily excused by alternate history theories discussed on the pages, too - a perfect and possibly unplanned tactic that should prevent this book from seeming outdated for a long time.  

It is a truly great book and I definitely recommend it. The characters describe it as being like a 'Wonderland', 'lost in a Boschian nightmare', 'a ride in Disneyland' or 'a fairy tale.' It is all of these things and much more.

Read it and enjoy the exploration!

Lucy A.E. Ward


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