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Stone
by Adam Roberts
Pub: Gollancz. 260 page enlarged paperback. Price: £ 9.99 (UK).
ISBN: 0-575-07064-1
Check out website: www.orionbooks.co.uk
The author is actually a Dr. Adam Roberts,
a man in his thirties with a Ph.D. from Cambridge specialising and
working in 19th century literature.
Indeed,
Robert Browning's poetry, especially related to the classics, accounts
for most of his published work but he has another side to his career
as a Science Fiction author, both of critical works and novels.
Amongst his many academic publications is a critical guide to SF,
Science Fiction (Routledge New Critical Idiom, 2000). The novel
'Stone' is the latest in a successful series of novels, the others
being 'Salt' and 'On'. I'd like to know where he gets the time to
do all this, work and eat as well?
Well, I thought the cover was crap. There's nothing inspirational
on the cover to make you want to open the book. This is a great
pity. Never having read any of Roberts' novels before I didn't know
what to expect and vaguely and irrationality thought, because of
the monosyllabic titles, that a vague similarly to Ballard was on
the cards.
This wasn't the case at all. I found his work to be unique in its
own right. Never judging a book by its cover is a useful maxim and
in this case it was very true. This therefore ends the list of my
faults about 'Stone' - that miserable Adam Roberts, you'd think
he'd give a good complainer like myself something to work on but
no, there's nothing, so I'll have to take the unaccustomed step
of completing a review without any cheap jibes as to the novel's
quality.
Before reading 'Stone', I'd turn to the back and read the glossary
first because this will greatly enhance your understanding of what's
going on.
Without falsehood, I can say this is the most wonderfully inventive
novel I have read in a long time. The actual writing seems to flow
so easily that pages turn without your knowledge and though this
in itself doesn't make a good novel, the plot, substance and style
does.
It's also liberally sprinkled with magical innovative gems that'll
make you chuckle and smile with appreciation. The setting is the
far future and a galaxy populated by beings who are human but also
augmented by nano-technology.
DotTech, as Roberts calls it, makes them virtually invulnerable
to everything. Cut off a head and the tiny machines will immediately
work to join everything back together again or float in a river
full of parasites without fear of being infested because they're
there, protecting you every nanosecond of their seemingly indestructible
tiny lives.
Not only humans exist. There are others, including forms of artificial
intelligence which live within a person's mind. Travel within the
galaxy is easy too. There's quantum mechanics in this novel but,
excepting a few circumstances, it doesn't become dominant and you
don't need a Ph.D. in physics do understand the novel.
Suffice to say, ordinary travel by spaceship is restricted to sub-light
speeds but in Fastspace, you can travel a thousand times faster
than light.
Quantum restrictions demand that this travel is only possible through
a 'tube' less than two meters wide which rules out spacecraft but
allows individuals, protected by a type of foam, to make journeys
themselves.
And now to the main character. In a galaxy without crime, he is
a criminal and we find him imprisoned in an escape-proof jail which
is actually located deep within a star. Get out of that one? The
person, who's mainly a he but could be a she as well, is simply
called Ae.
He has had all his nano-technology removed, something which causes
him immense problems during the course of the novel. And now, the
most curious bit! Everything that happens is expressed in Ae's letters
or communications with an inanimate stone. Hence, the title.
In this far distant future, money or commerce doesn't exist. Such
is the control of the environment that manufactured objects cost
virtually nothing to make. Think of the TV. Twenty-five years ago
you'd pay five hundred pounds sterling for a large colour job.
Now, after loads of inflation, the same thing is technically better
and costs half the price. Twenty-five thousand years of extrapolation
will find us in a universe of abundant power and a TV, if such a
thing was still relevant, would cost next to nothing.
It's also OK in this future to have voices in your head. This will
probably be an artificial intelligence and not schizophrenia. You
might think that this idyllic future would make us all fat and lazy
slobs but the nano-technology ensures bodies and minds remain in
perfect health. Ae has voices in his head too but they tell him
that, in exchange for getting him out of the impossible jail, they
want him to murder sixty million people on a planet.
The problem is not only in finding a person capable of doing this
deed, it's also in the mechanics of killing those with protective
machines within their bodies without obliterating the planet in
the process.
Ae takes up this challenge because he's fed up being the only prisoner
in the galaxy. As mentioned, this novel is sprinkled with innovation.
Someone helping Ae to escape had the name Agifo3acca. Numbers within
names were common for this species. Also, on a planet where it rained
constantly, the source of currency was leaves from a certain type
of tree - the fact that money was a useless concept or that the
trees were abundant didn't matter but woe betide anyone who didn't
have the right change.
'Stone' is a refreshing read. There's quite a lot of rubbish out
there, some of it old and some of it new, so it's aesthetically
pleasing to come across a work that is not only interesting but
challenging too. I haven't read Roberts' earlier novels nevertheless
this one gives the incentive to do just that.
Not knowing the author from Adam, I'm not being bribed to praise
his book but I'd definitely suggest that you read it and come to
your own conclusion.
I don't think you'll be disappointed.
Roderick S. MacDonald
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