|
Cities edited by Peter Crowther and stories
by China Mieville, Michael Moorcock, Philip di Filippo and Geoff
Ryman
pub: Gollancz. 292 page unusual shaped hardback.
Price: £12.99 (UK). ISBN: 0-575-07504-X
check out website: www.orionbooks.co.uk
In
today's world, cities are extremely common. Most of us in Western
society live in or near one and probably go about our everyday lives
without really noticing the feel of the place in which we live and
work.
But a city can have its own beat and can tell us a lot about its
inhabitants and the society they create. Cities can have many different
sides. What you see in the daytime may be very different to what
the city shows us at night. What one person considers his home-city
to be may differ from the idea his neighbour has of that same place.
It is the city as metaphor for society, what it can tell us about
its occupants, that has inspired the writers of this volume.
In
addition, this being a fantasy-orientated collection, the writers
were free to explore the very limits of what a city can and could
be and the part it plays in its inhabitants' lives. They have attempted
to stretch the idea and description of the city so that it becomes
something quite removed from those we are familiar with. In all
these novellas, the city is a backdrop for other characters and
stories.
Sometimes the city is described quite briefly but the outline of
a place, one that is different from our everyday reality, helps
to place these characters and stories in fantastic worlds and tells
us how different their society and reality is from our own. This
is a collection of worlds worth visiting.
Paul di Filippo in 'A Year in the Linear City' portrays a city
very much like present-day New York but with subtle changes. There
is a Riverside and a Trackside and blocks that go on for so long
that you cannot communicate with those several hundred thousand
blocks away.
The narrator, Diego, is a writer of 'cosmogonic fiction' who imagines
what it would be like to have a machine that connected between blocks
to allow communication or to live in a city where fate was unknown
instead of being overshadowed by it the whole time.
Eventually, Diego embarks on a journey to another part of the city
and is amazed by the differences found there. In an ending that
is symbolic of the nature of the city, its inhabitants and di Filippo's
tale as a whole, Diego's best friend, influenced by Diego's realisation
that there is more to their world than they knew, decides to follow
a train to discover where the real limits of the city are and what
lies beyond.
This is an intriguing tale, with the city more as setting and backdrop
than character and one that has much in common with the New York
we know today. However, it is the subtle changes that bring home
the differences between Diego's world and ours making us wonder,
as all good fantasy and Science Fiction should, 'What if?' 'The
Tain' by China Mieville introduces us to a darker side of city life.
Here is a destroyed, post-war London which is inhabited by groups
of soldiers and crazed civilians disturbed by the terror of war
and by the enemy. It is also home to hidden groups of the enemy
- strange vampire-like creatures called Imago who were created by
reflections in mirrors and glass. In particular are the Tain, where
the clarity of reflection and imagery made the reflections gain
lives of their own.
Soon, they rebelled and passed through into their creators' world.
Amongst vivid descriptions of a ruined London and some interesting
ideas about what such a place would look and feel like, we are given
a cross between a horror story, a mystery and a hero's quest.
One man decides to go up against the leader of the Imago and in
the processes uncovers their story. A well-written short story that
keeps its mystery and originality and the reader's interest by telling
the tale from each side in turn. Michael Moorcock in 'Firing the
Cathedral' creates a future, post-September 11th world.
Religion and nation are in conflict and much of the Western world
is in disarray and ruin. Jerry Cornelius, a regular character of
Moorcock's, is our guide through this new and troubled worry as
he tries to find his way to peace. Although the storyline is a little
confusing at times and it jumps from place to place and time to
time, we gradually build up an idea of people and places very similar,
yet also very changed, from our own.
Moorcock's description of the cities, as well as his cast of characters
as they move through them, is rich and colourful and worth persevering
with. The final part of this quartet of tales is 'V.A.O.' by Geoff
Ryman. Again set in the future, this is set in a city very changed.
Technology reigns supreme, together with paranoia, watchfulness
and distrust, creating an Orwellian Big Brother-style atmosphere.
When a V.A.O. (Victim Activated Ordnance) system, the latest in
community protection, is hacked into and taken over by the very
people it was supposed to activate against, a mystery ensues. Determined
to discover what is happening are a group of pensioners, including
one of the creators of the system. In following a cleverly disguised
trail, he learns more about his world and his place within it, whilst
at the same time allowing us a glimpse as well.
This is a cleverly conceived world and storyline. The city as an
entity does not play a big role but is instead a part of the narrator's
world, one that is different from our own yet recognisable in aspects
that could be taken to extremes and be instrumental in creating
this technologically dependent world where modern, young computer
hackers are now OAPs trying to get around the system in an old people's
home.
As with any collection, the variety of authors here make for a
variety of styles, characters and settings, creating a well-written
and entertaining volume of stories. I have a personal favourite
among them - 'The Tain' but the others were also enjoyable.
For fans of any of the authors included this book would be a satisfying
addition to bookshelves and, as an introduction to the authors,
'Cities' is also well-worth dipping into. My only disappointment
was that none of the stories were linked directly as to the city
as more of an entity, with a bigger role to play within the society
of the characters.
Given the overall theme of the collection, this would be have been
very interesting to see. In general, though, I did enjoy the book
and look forward to future Foursight anthologies.
Laura Kayne
|