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Dreams Underfoot by Charles De Lint
pub: TOR. 414 page enlarged paperback. Price: $15.95 (US), $22.95 (CAN). ISBN: 0-765-30679-4

check out website: www.tor.com


Charles de Lint is renowned for his creation of urban fantasies. This collection of nineteen stories shows his art at its best but it is not just a disparate selection of reprinted stories; together they make up part a myth cycle. Newford is a North American city on the shores of a Great Lake and probably has many similarities with his home town of Ottawa.

Dreams Underfoot by Charles De LintLike all cities, there are the wealthy districts and the darker areas, neglected tenements peopled with the lost, the destitute and the magical. Here, too, in the district of Crowsea, live artists - poets, painters, musicians - the creators.

These stories rarely enter the wealthier parts of Newford, perhaps suggesting that those of us who are comfortably off or spend all our lives avoiding the less fortunate are unable to see the magic around us, either because we do not believe or because we have no time to what is really there, at the periphery of vision.

The stories were first published between 1987 and 1993 and many of the characters appear as threads weaving through the fabric of the narrative.

The first story, 'Uncle Dobbin's Parrot Fair', introduces the pivotal character via his book, 'How To Make The Wind Blow'. Christy Riddell collects strange stories as urban folklore. The last story in this collection suggests that everyone has magic as a child but when they stop believing, the magic escapes as a bird.

It can only be regained by earning its trust and by believing in magic unconditionally. Ellen is reading it when she finds Reece after he has been beaten up and takes him home. Since he ran away from home, he has been pursued by a booger, which gets stronger as he gets angrier and protects him. Ellen is in danger of losing her magic.

She and Reece have to help each other.
In many ways, this story is a metaphor for the premise of the collection. 'Dreams Underfoot' is a collection of Christy's stories and it shows us where the magic is, if only we will believe. Some of the people in his life are magic, like Meran Kelledy, a musician who is also the King of the Oak's daughter, and Sophie, the Moon's daughter. Sophie is an artist, and in 'The Moon is Drowning While I Sleep', she dreams that the Moon is trapped only she can save her.

Initially, she doesn't believe magic is real but her experiences change her mind. Similarly, in 'Ghosts Of Wind And Shadow', Lesli - a pupil of Meran's, is persuaded by her mother that fairy folk are delusions. Yet Lesli can see them, as can Meran and her husband.

Jilly Coppercorn is another artist living in the Crowsea district and is a friend of Meran, Sophie, Christy and many of the other characters seeded through these tales. Her paintings of downtown Newford are peopled with supernatural beings. She is a believer in magic and not only can see the fairy folk but is often on hand to help others with their problems. 'In The House Of My Enemy', Jilly brings home a pregnant waif. At this time, Jilly and friends are preparing for an exhibition. The paintings and photographs depict abused or abandoned children. Through them and in the course of her attempts to win Annie's trust, we learn Jilly's story.

Some people in Crowsea, meet magical people who change their lives. Wendy, a poet, is fellow waitress with Jilly. In 'The Conjure Man', she meets a man who can use the Earth's magic. He shows Wendy where the Tree of Tales has been cut down 'because it was shading a window'. Finding an acorn from tree, Wendy plants it to replace lost tree and, to get it started, tells it stories and gets her friends to do the same.

Others try very hard not to believe the things that they here. 'Timeskip' features Christie's brother, Geordie, a sceptic until he met Sam. She tells him that every time it rains, she sees a ghost, taking the same walk. Jilly suggests the ghost is a timeskip, a person who is out of time and destined to repeat his actions every time it rains.

She warns him not to interfere but Sam wants to confront the ghost. As a result, Geordie loses Sam to the past. Later in 'Paperjack', as a result of a conversation with the magical person known as Paperjack, he goes searching for the person in an old photograph who looks like his lost love Sam. As a result, he meets her grand-daughter and gets a message from the Sam he knew.

The Angel of Grasso Street possess a non-supernatural magic. She runs a hostel for the homeless but also finds sponsors to help people improve their situation. She helped Jilly ('In The House Of My Enemy') and would help Maisie, a waif who gets by by scavenging ('But For The Grace Go I').

Maisie though has responsibility for the stray dogs she takes in and Tommy, an autistic boy who was dumped on the streets by the system.

Other stories have the setting and magic of Crowsea but impinge only peripherally on the lives of the central group of characters. 'Our Lady Of The Harbour' is a re-telling of 'The Little Mermaid' and 'Pity The Monsters' takes its inspiration from Shelley's 'Frankenstein'.

The stories are all vignettes of de Lint's 'Newford'. All of them have something to offer, all of them should be enjoyed. They also offer an entry into the novels such as 'Someplace To Be Flying' and 'Spirits In The Wires'.

Pauline Morgan


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OTHER REVIEWS - December 2003

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