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Lord
Of Snow And Shadows (The Tears Of Artamon book one) by Sarah Ash
pub: Bantam Press. 484 page enlarged paperback. Price: £10.99
(UK). ISBN: 0-593-04983-7. check out website: www.booksattransworld.co.uk
'Lord Of Snow And Shadows', book one of 'The
Tears Of Artamon' draws on the classical convention of the goatherd
prince. A nobody from nowhere who is suddenly thrust into a position
of inherited leadership. This character tends to be unremarkable
in most ways before this advent of good fortune races him through
the ranks to sit at the top of the pile.
Once
there, this character either displays a remarkable aptitude for
the position or they scrabble their way desperately through adversity
to prove themselves worthy.
Here,
Sarah Ash has created Gavril Andar. A painter, an idealist, a romantic- a sophisticated
equivalent to the goatherd. One who dreams of winning the heart of his latest
famous portrait, Astasia. She, who is scion of a ruling family, is thus a crucial
political pawn in the game of thrones. One dark night, Gavril is given
the key to his identity and heritage and literally abducted to assume the mantle
of this legacy by his father's men. A father, he has never known the truth about
or met, nevertheless bequeaths him a rich but nightmarish inheritance. So
the novel continues in this vein. Gavril is uprooted from his mother's sun drenched,
sophisticated home and re-planted in his father's icy domain where he struggles
to find purchase and re-establish. It is a rite of passage novel, a coming of
age plot. This, as book one, charts Gavril's ascension to the throne and
his tenuous grip thereafter. As such, the tone of this novel resounds with jarring
notes of post-adolescent discord and reflects the relative youth and inexperience
of its hero. Labouring under an ancient curse which, incidentally, is also the
source of Gavril's power, sometimes makes his position as hero ambiguous. Sarah
Ash, however, does not exploit this role choosing to create of him a straightforward
hero. A simple hero as opposed to a more morally suspect anti-hero. She
plays with this technique in her portrayal of the 'villain', Tielen's First, Eugene.
A man whose loss of his wife evokes sympathy, but whose character is as frigid
as his frost-frozen kingdom and just as ruthless. I believe this is a method Ash
intends to employ to better effect in the second part when Gavril grows into his
position and rivalries burgeon. This novel is an easy read and no real
hardship to have read. It would benefit from becoming more complex. Currently,
it presents no challenges whatsoever and runs the risk of boring the reader.
Sana
Master
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OTHER REVIEWS - December 2003
Other reviews this month
Scatterbrain by Larry Niven
Dreams Underfoot by Charles De Lint
Spirits In The Wires by Charles De Lint
First Rider's Call by Kristen Britain
Equilibrium
Noise by Hal Clement
Roma Eterna by Robert Silverberg
Wild Magic by Jude Fisher
The Life Eaters by David Brin and Scott Hamilton
Midnight Lamp by Gwyneth Jones
Dreams of the Compass Rose by Vera Nazarian
One Lamp: Alternative History Stories edited
by Gordon Van Gelder
The Druid King by Norman Spinrad
Star Trek: Nemesis novelisation by J.M. Dillard
Unto Leviathan by Richard Paul Russo
X-Men 2
The Sundering by Walter Jon Williams
The Briar King by Greg Keyes
Nylon Angel by Marianne de Pierres
Incompetence by Rob Grant
Maul by Tricia Sullivan
Falling Out Of Cars by Jeff Noon
The Darkest Part Of The Woods by Ramsey Campbell
Lord Of Snow And Shadows by Sarah Ash
Tales Of Ten Worlds by Arthur C. Clarke
Buffy the Vampire Slayer: Radio Sunnydale
Devil May Cry 2
Soul Calibur 2
Dante's Equation by Jane Jensen
Archform: Beauty by L. E. Modesit Jr
Captain Scarlet by Barry Gray
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