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Lord Of Snow And Shadows (The Tears Of Artamon book one) by Sarah Ash
pub: Bantam Press. 484 page enlarged paperback. Price: £10.99 (UK). ISBN: 0-593-04983-7.

check out website: www.booksattransworld.co.uk


'Lord Of Snow And Shadows', book one of 'The Tears Of Artamon' draws on the classical convention of the goatherd prince. A nobody from nowhere who is suddenly thrust into a position of inherited leadership. This character tends to be unremarkable in most ways before this advent of good fortune races him through the ranks to sit at the top of the pile.

Lord Of Snow And Shadows (The Tears Of Artamon book one) by Sarah AshOnce there, this character either displays a remarkable aptitude for the position or they scrabble their way desperately through adversity to prove themselves worthy.

Here, Sarah Ash has created Gavril Andar. A painter, an idealist, a romantic- a sophisticated equivalent to the goatherd. One who dreams of winning the heart of his latest famous portrait, Astasia. She, who is scion of a ruling family, is thus a crucial political pawn in the game of thrones.

One dark night, Gavril is given the key to his identity and heritage and literally abducted to assume the mantle of this legacy by his father's men. A father, he has never known the truth about or met, nevertheless bequeaths him a rich but nightmarish inheritance.

So the novel continues in this vein. Gavril is uprooted from his mother's sun drenched, sophisticated home and re-planted in his father's icy domain where he struggles to find purchase and re-establish. It is a rite of passage novel, a coming of age plot.

This, as book one, charts Gavril's ascension to the throne and his tenuous grip thereafter. As such, the tone of this novel resounds with jarring notes of post-adolescent discord and reflects the relative youth and inexperience of its hero. Labouring under an ancient curse which, incidentally, is also the source of Gavril's power, sometimes makes his position as hero ambiguous. Sarah Ash, however, does not exploit this role choosing to create of him a straightforward hero.

A simple hero as opposed to a more morally suspect anti-hero. She plays with this technique in her portrayal of the 'villain', Tielen's First, Eugene. A man whose loss of his wife evokes sympathy, but whose character is as frigid as his frost-frozen kingdom and just as ruthless. I believe this is a method Ash intends to employ to better effect in the second part when Gavril grows into his position and rivalries burgeon.

This novel is an easy read and no real hardship to have read. It would benefit from becoming more complex. Currently, it presents no challenges whatsoever and runs the risk of boring the reader.

Sana Master


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