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The Complete Gerry Anderson: The Authorised
Episode Guide by Chris Bentley
pub: Reynolds and Hearn Ltd. 287 page softcover.
Price: £15.99 (UK). ISBN: 1-903111-41-2
check out website: www.rhbooks.com
and www.fanderson.org.uk
Having
read and even reviewed some of Chris Bentley’s other Anderson series
books for this column, this particular book had to have some interest,
simply because some of the series, like ‘Supercar’, ‘Twizzle’, ‘Torchy’,
‘The Protectors’ and thankfully, probably not ‘Terrahawks’, are
hardly ever going to get episode guide books all to themselves.
In other words, if you want info on these series, you’ll need this
book.
As
author Bentley also appears to favour being told about any mistakes
so they can be corrected in other guides, I can add my own twopennyworth.
Forgetting to give ‘Phones’ from ‘Stingray’ his first name of ‘Lee’.
Forgetting to indicate under the ‘Space: 1999’ entry that actor
Stuart Damon had also appeared in ‘UFO’ episode ‘Mindbender’.
If you’re going to point out these things in a book then expect
the reviewer to start checking for accuracy. Still, it’s only a
few minor glitches but nothing that significant under you know these
series back to front and occasionally side-ways.
The depth of detail is either going to bore the pants off of you
or you’re going to use it to bore other people at parties. It’s
a shame that to complement the notes given for continuity order
that a secondary chronological episode list wasn’t given as well.
The layout is otherwise very well set out with actor/character
listings next to each episode. I didn’t think it altogether necessary
to list the regular cast each time and perhaps a few more lines
could have been used to complete the episode synopsis ... after
all that is what an episode guide is suppose to be about, not leaving
you to remember what happened when you last saw any of the series.
There’s also two photo sections that are not your typical selection
and also includes some rare beside the scenes material.
Although this book is not overtly critical of the work, it is possible
to draw some conclusions. Some of Gerry Anderson’s later attempts
to revise the ‘Thunderbirds’ rescue scenario in different formats
also indictes their failure to succeed as well.
Perhaps being tied up with this as well as continually utilising
secret organisations rather than trying something new has contributed
to why so much of the latter part of Anderson’s career hasn’t had
as much sparkle as the earlier productions and relied far too much
on pun names as points of interest.
Any misgivings aside, if you’re an Anderson series buff, then you’ll
probably already have a copy of this book if you live in the UK.
If you live elsewhere in the world, then now’s the time to get your
copy.
GF Willmetts
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