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The Wreck Of The River Of Stars by Michael
Flynn
pub: TOR. 480 page hardback. Price: $27.95 (US),
$38.95 (CAN). ISBN: 0-765-30099-01
check out website(s): www.tor.com
Now this is an extremely densely written
novel following the lives of 14 characters on a hybrid spaceship,
MSS The River Of Stars, engine damaged in flight on the way to Jupiter.
By hybrid, this particular spaceship has a standard
drive but was also equipped with sails to take advantage of the
magnetic flux spewed out by the sun's solar wind.
The
sails haven't been used in some time and there is a dependence on
the engineer's skill to repair the engines sufficiently to allow
a parking orbit around one of Jupiter's moons or face oblivion.
With one hand not telling what the other side is doing,
plans are afoot to resurrect the disused sails to help with manoeuvring.
Did I forget to say that the original captain had
just died and his first officer was now running the show? Essentially,
this is a character piece story.
In many respects, this is almost a futuristic soap
with each character having their own problems and how they affect
the everyone else on board. Other than the spaceship problems, the
actual situation is really viable in any genre. Although author
Flynn gives some insights into the characters, we don't really see
that much inside their heads in regard to how they really feel about
things.
The problem of this is caused by the densely way it's
written to some extent. You'd continually being fed information
that you end up reading just to see what happens but the emotional
impact is somewhat sullied because you don't really end up liking
any of the characters as much as you should.
The fact that there should have been some pressure
on the crew as to whether they will get to safety and do something
about it seems to be minimised compared to their personal problems.
The ultimate tell-tell signs of all of this is when, and I'm not
going to give away the ending, there are casualties, Flynn hasn't
got the conviction to make you feel the loss.
With so much work in developing these motley characters,
this is a very poor pay-off for the time spent reading this book.
In any story, a writer has to expect to detail casualties some time.
If he can't bear to eliminate any of them then other
options should be used instead. In a neo-writer's hands, I would
have called this 'internalising' rather than letting the reader
share the emotion of loss and kick them to do something to sort
it out.
In this case, it appears someone was very remiss in
not doing this with writer Flynn. This isn't a bad book but if Flynn
had spent more time in working on the characters within his writing
style then things would have been even better.
Mayhap, he'll have learnt enough from this story to
cover up such problems areas in future novels.
GF Willmetts
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