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A Fortress Of Grey Ice (Book Two of Sword
Of Shadows) by JV Jones
pub: Orbit. 734 page paperback. Price: £ 7.99 (UK)
and $19.95 (AUS). ISBN: 1-85723-996-2.
check out website: www.orbitbooks.co.uk
Have
you ever read a book and found yourself laughing at how serious
the author considers the subject matter?
Well, JV Jones' ‘A Fortress of Grey Ice’ unfortunately
evokes just such a reaction. Yes yes, the world is on the brink
of cataclysm, the Endlords are soon to be released ... All very
serious I admit, but even in the most hopeless cases human nature
is indomitable. There is laughter.
There
is hope. Nobody goes around as sour and unhappy as Jones' characters.
Admittedly they have suffered but most characters in fantasy have.
Existing in the primitive environs of fantasy they
necessarily have to have suffered, which does not mean they cannot
have a sense of humour or enjoy simple pleasures in life.
This novel is the second part in the ‘Sword of
Shadows’ series. It continues the story of the orphan girl Ash March,
taken in by Penthero Iss, the evil Lord, who wants her power for
himself.
In the first part, Ash is helped to escape by Raif
Sevrance, a clansman who falls in love with her. Ash has an enormous
amount of power that can release the Endlords from their captivity-
mysterious beings that can be equated with our world's Devils and
Hell.
In fact the demon we meet at the end is called
Shatan, the Arabic name for the devil. This second part sees the
separation of Ash and Raif, both of whom have powerful destinies,
but cannot fulfil together. Every character seems to be surrounded
by an air of isolation.
All have to struggle through alone and what you
would expect to be a tale of camaraderie and people coming together,
to fight for a common cause becomes a tale of individual struggle
to preserve or discover identity alone. There is a lot of reaching
out: craving for human interaction but with everybody within their
protective shells these wishful human touches go undone.
The atmosphere of the book is gloomy, a pervasive
darkness that forces you to put the book down every so often just
to take a deep breath and smile at somebody. Your forehead begins
to hurt from frowning so much. The novel consists more of silence
and thoughts than speech, which makes for slow reading and takes
more understanding than your average David Eddings instalment.
A comparison I have drawn simply because the text
I was sent had a sticker on it claiming: ‘As good as David Eddings
or your money back!’ Now having read JV Jones' earlier ‘Book of
Words’ trilogy and ‘The Barbed Coil’ as well as the Eddings couple's
‘The Belgariad’ and ‘The Mallorean’
I can find no reason why on earth the two are set
up in comparison! They are not remotely alike, not in plot, narrative
or characterisation. They may well be two different genres, which
I believe renders the publisher's claim invalid.
This book, as a second part, can be read on its
own as the author helpfully provides us with a recap of the first
book at the beginning.
It is difficult going because obviously you are
not in possession of all of the details and the book does rely on
your knowledge of the first part in places.
All in all, this book is not a good introduction
to Jones.
Her skill as an accomplished fantasy writer is
indubitable but the slowness of this tale is enough to put off even
some of the most hardened of fantasy readers.
Sana Master
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