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Star Trek Enterprise: Exile
This is the first episode of the season that is utterly devoid
of any Trip/T'Pol scenes, at least in the romantic sense. Maybe that's
one of the reasons our Evan loved it so much. What, no sensual T'Pol
scenes? Forgetaboutit.
If
you've been reading my reviews on a regular basis you may have noticed
that I'm what you might call an "optimistic" reviewer. Sometimes
I have a hard time giving an episode a really bad grade, and I'm
occasionally told that a given episode isn't nearly as good as I
made it sound.
But it can't just be me - if I had been reviewing
this show regularly last year, I would have routinely been failing
episodes week after week. That said, "Exile" blew me away.
This is the first episode of the season that is utterly devoid
of any Trip/T'Pol scenes, at least in the romantic sense. Maybe
that's one of the reasons I loved it so much.
The
show has two plots. The A-story involves Hoshi, and I just have
to take the opportunity to sing Linda Park's praises.
Hoshi Sato is certainly one of the show's more under-used characters.
True, she isn't nearly as under-used as Ensign Mayweather (By the
way, this definitely isn't a fact, but I bet you could count the
number of lines of dialogue he's had so far this season on four
hands), but truth be told I feel Linda Park is an exceptional
actress, while I see Anthony Montgomery as being mediocre at best.
After watching this episode, Hoshi is at least twice as "realized"
as she was before, if not more so. I guess we have to give buckets
of credit to the writers, particularly Phyllis Strong, for making
episodes like this happen.
The second plot delves further into the Xindi storyline and ends
up providing the crew with a new immediate objective, to be explored
as early as next week, while also asking some startling questions
about the nature of the Expanse. As far as the arc goes, this is
very strong material.
But let's backtrack.
The episode opens in Hoshi's quarters. She's in the bathroom, getting
ready for bed, when she hears a quiet, male voice. She looks around,
but can't see anyone in the room with her. Hoshi. Do you understand
me? I think you do. Can you see me? At last she sees a man,
human, in her quarters.
Was I the only person half-expecting Brad Pitt to step out of the
shadows? Or maybe I've just seen Meet Joe Black too many times.
Yeah, that's probably it.
T'Pol and Archer have a meeting in the Command Center. T'Pol has
been conducting an analysis of the anomalies throughout the Expanse.
She has determined that there must be a second Sphere, like the
one they encountered in "Anomaly," affecting the region. Where the
gravimetric waves from the two Sphere intersect, presumably, anomalies
would occur. T'Pol concludes that the second Sphere is less than
four light years away. Archer orders the ship to alter course to
investigate.
At Hoshi's behest, Reed tries to find an explanation for the mysterious
visitor in the ensign's quarters. Nothing turns up, however. Even
Phlox can find nothing physiologically amiss with her, aside from
a few normal headaches. When Hoshi admits it might have been a hallucination,
Phlox informs her that among Denobulans, stress-induced hallucination
is considered healthy. That, however, proves small comfort to the
disturbed Hoshi.
Hoshi is visited by the telepathic presence again while she's trying
to translate a portion of the Xindi database. This time, more than
merely seeing the man, she is momentarily transported to an alien
world, presumably the man's home. He lives in a large, ancient mansion,
built into the wall of a cliff. She snaps out of it when Reed finally
arrives, responding to her earlier call for help.
Back in sickbay, Phlox puts her under examination. But even in
the apparent safety of sickbay, she is not immune from the visitations.
The presence appears to her yet again, but this time in the form
of Phlox, catching her offguard. He tells her that she is extremely
special, that his telepathy requires a unique mind to make contact,
and that she has just such a mind. He tells her that his home is
on a world only three light years away, and that he wants her to
visit him there. He tells her that he wants to use his abilities
to help them stop the Xindi. Hoshi tells the captain about the arrangement,
and Archer agrees to make the detour.
Upon arrival at the planet, Archer, Hoshi, and Reed take a shuttlepod
to the man's cliff home. From both the outside and inside, it is
precisely how Hoshi saw it in her "hallucination." They walk into
the enormous front hall, and into a private study where they confronted
by the "man," who turns out to be an alien named Tarquin.
At first appearing hideous, with a dozen antenna-like protrusions
coming out of his skull, Hoshi senses he's not as fearsome as he
appears. He has lived on this deserted world, alone, for centuries,
with no contact with outsiders except through telepathy. Tarquin
offers to help the crew to locate the weapon the Xindi are building
to attack Earth, but he needs a Xindi artifact to help focus his
abilities.
Archer provides Tarquin with a piece of the probe used to attack
Earth in last season's "The Expanse," but soon learns the alien's
unusual condition for aid: Hoshi must be left with him while he
conducts his search. Archer is reluctant, but Hoshi insists on staying,
citing the importance of receiving Tarquin's help as well as her
perception that Tarquin won't do anything to harm her. Archer and
the Enterprise then leave the system, continuing on their
way toward the second Sphere.
Tarquin uses the knowledge he has gathered from his time in Hoshi's
mind to make her feel at home. He creates for her a dinner consisting
of pizza, a hamburger, as well as other recognizable human dishes.
His knowledge of her, however, goes far deeper than her favourite
foods, into intimate and highly personal memories and feelings,
including her volatile early experiences when her parents learned
of her gift for understanding language.
In exchange, however, Tarquin tells his own story. His people's
homeworld is located 30 light years away, and it's a wonderful place.
Unless you happen to be one of the one in fifty million who is born
telepathic. Telepaths like Tarquin are considered to be terrible
threats, and are therefore sent away to live in solitude and exile
for the rest of their lives.
Uncomfortable with his knowledge of her, Hoshi goes to bed. Before
she retires for the night, he gives her the gift of a book written
in the language of a long-dead culture (which she later says reminds
her of medieval Klingon) and then issues her a warning. "Feel free
to wander," he tells her. "There are lots of interesting things
here."
But he tells her to keep indoors, due to the violent weather of
the planet. Now, I don't suppose there's anything terribly wrong
with this except that it's almost word-for-word the warning that
the Beast gives Belle when she comes to his castle in Beauty
and the Beast. Just substitute "the West Wing" for "the outdoors."
Tarquin also tells her that she doesn't need to feel alone, since
he knows that she often does, even on her ship, when she's among
groups of people.
Meanwhile, Enterprise is chasing after the second Sphere.
They start passing through a series of devastating anomalies that
begin as innocuously as causing Archer's basketball to adhere to
a wall, and ending as horrendously as causing a massive breach in
the saucer's hull.
The damage is extensive, causing breaches on Decks B, C, and E
as well as three decompressed subsections. T'Pol observes that this
Sphere is emitting much more gravimetric energy than the first one
they encountered. With the Sphere still 75,000 kilometers away,
the ship cannot get any closer. Archer's solution is to insulate
Shuttlepod One with the trellium ore they extracted in last week's
episode.
Back on Tarquin's world, Hoshi finds him using a large blue object
that helps to extend the range of his telepathy. It is what helped
him to contact her over such long distances. He is also using the
device to procure information about the Xindi. Tarquin then allows
Hoshi to try the device for herself. When she tries using it, she
is bombarded by a variety of powerful images, some of which include
the Xindi, what might be the Klingon Homeworld, the planet Jupiter,
a number of explosions, a weapon, an alien ship, among others. It's
unclear whether these are images from other people's minds, a look
into the past, or - more intriguing - a glance into the future.
In her wanderings, Hoshi disregards Tarquin's warning and goes
outside. Like I didn't see that coming a mile away. Outdoors,
she stumbles onto a number of graves, which Tarquin reveals belong
to his former "companions." Since he has been alive for over 400
years, four such companions have come and gone. He hopes for Hoshi
to be his fifth.
Finally seeing his real intentions, Hoshi tells him in no uncertain
terms that she has no intention of staying, but his attempts to
persuade her continue. He changes form again, appearing to her as
the man she saw while on Enterprise, but Hoshi becomes more
and more disturbed by his advances. He tells her, "Think about what
I said. You're going to have a great deal of time."
On that fairly creepy note, we return to Enterprise, where
Trip and Archer launch in a shuttlepod toward the second Sphere.
Protected now by trellium D, the shuttle is able to move forward
relatively unmolested by the anomalies. Eventually they find the
cloaking barrier (just like last time), and find the Sphere hiding
behind it. Just as breathtaking as the first, Archer decides to
break out the EV suits and land on the Sphere's surface.
This is followed by a brief, and somehow implausible special-effects
laden incident involving the near escape of the shuttlepod, phasering
out the port thrusters, and causing the vessel to plummet back down
to the Sphere surface. Anyway. They get back with lots of scans,
and the ship heads back to pick up Hoshi.
Tarquin attempts to deceive Hoshi by appearing to her as Archer,
recently returned, who tells her to remain on the planet until after
the mission is over and Tarquin has finished helping them. It doesn't
take long for Hoshi to figure out the ruse (though, admittedly,
it shouldn't have taken her half as long as it did, given that I
knew what was going on a good twenty seconds before she did).
As Enterprise approaches, Tarquin uses a dampening field
of some kind to drain it of all power, including life support. He
explains to Hoshi that unless she stays with him, he will kill the
entire crew. Thinking fast, Hoshi grabs the device he uses to accentuate
his telepathic abilities, and threatens to destroy it. Ultimately,
Tarquin realizes that his need for the device is greater than his
need for Hoshi, and he allows her and the Enterprise to leave
unmolested. Tarquin does not, however, provide the ship with the
valuable information on the Xindi he managed to gather.
Which leads to my single complaint of the episode. Assuming that
some, if not all, of his previous companions stayed against their
will, I find it hard to believe that none of them thought to use
this device as leverage against Tarquin. I suppose that it's a minor
complaint, though.
The ending, however, like many episodes this season, brings with
it a bit of a cliffhanger, and a startling idea that changes the
face of the arc so far. T'Pol informs Archer that her analysis indicates
that there are as many as fifty Spheres in the Expanse, rather than
two, and that all of them together are creating the anomalies in
concert. T'Pol surmises that whoever built these astonishingly large
and complex Spheres may very well be responsible for creating the
Expanse itself. The question burning on our minds then is, so
who built it? I'm hoping this is a question that we are provided
an answer to sometime in the near future. It's far too tantalizing
a possibility to pass up.
At the very end, Tarquin reappears to Hoshi, apologetic for his
behaviour, and offers the crew information about the Xindi after
all. Hoshi brings it to Archer right away: Tarquin has given them
the coordinates for a Xindi colony, where a piece of the weapon,
to be used to wipe out Earth, is being constructed.
I suppose if that synopsis is far longer than others I've written
it's because this plot was overall more complicated and compelling
than usual, particularly on a personal level. And again, I can hardly
say enough about Linda Park. Hoshi has had a few major episodes
in the past (including "Fight or Flight," a wonderful subplot in
"Two Days and Two Nights," and the less-than-stellar "Vanishing
Point"), but I can safely identify this episode as the one in which
she finally becomes actualized as a fully-developed character. I'm
looking forward to where the writers will take her in the future.
Before I finish, I'll leave you with my favourite exchange of dialogue
in the episode. It takes places just as Archer agrees to let Hoshi
stay behind before the ship heads off toward the Sphere: Archer
(to Hoshi): "Do I need to tell you to stay on your toes?" Which
is followed by Hoshi: "I think that falls under the 'goes-without-saying'
category." Kind of cute.
9.5. Not quite perfect, but very, very close. Good work. And a
good job setting up a big story next week. At least, here's hoping.
Evan Braun
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OTHER CONTENT - November 2003
Chris Moriarty: All in a Spin The science fiction author behind the amazing novel Spin State braves our interviewer's chair. (AUTHOR INTERVIEWS)
Offworld Report - SF: November 2003 Interviews with author Wil McCarthy, the cast of Alias, and the Director of Underworld. Plus criticism of this year's Worldcon in Toronto, the return of Dr Who, and a short science fiction history of the Middle East. (NEWS)
Offworld Report - Weird Science: November 2003 Martial arts robots hit Asia, the day a meteorite crashed through my roof, China sparks a new space race, and life across the stars: they're now betting on the system 37 Gem . (NEWS)
Offworld Report - Comics & Anime: November 2003 X-Men scribe Mark Millar interviewed, the return of the Micronauts, more flipping anthropomorphic animals, plus new G-Saviour, Cowboy Bebop and Melty Lancer. Don't you just love those odd anime titles? (NEWS)
Offworld Report - RPGs and Games: November 2003 A look at The 1920s Investigator's Companion, Werewolf: the Dark Ages, Viking Age, and Stargate SG-1 the role-playing game, plus the question is posed: is live roleplaying on its last legs? Perish the thought. (NEWS)
Cold Creek Manor The creepy contrivance that takes the form of director Mike Figgis's haunted house hokum Cold Creek Manor definitely wants to develop the goose bump response for its anticipating audience. Unfortunately, this stillborn by-the-numbers movie of terror is reductive and just plods along. (FILM REVIEWS)
Kill Bill (Volume One) In the intentionally overwrought and gloriously violent-drenched B-movie actioner Kill Bill Tarantino pours it on thick as he chaotically pays homage to the movie genres that he reveres so deeply - creating a concoction of ubiquitous escapist Asian kung-fu flicks along with a dash of redemptive foreign spaghetti westerns. (FILM REVIEWS)
Underworld If a vampire loves a werewolf, where can they set up housekeeping together? Nowhere. At least not in a world where werewolves and vampires have fought for a thousand years. Mark discovers a film of non-stop action and non-start intelligence, with lots of gunplay and the look of The Matrix. (FILM REVIEWS)
The Torrid Movies of Torcon Mark brings you his impressions of some interesting upcoming movies based on attending the various trailer shows at Torcon 3, aka 2003's World Science Fiction Convention. (FILM REVIEWS)
Does Science Fiction Have to be About the Present? SF author Ken MacLeod has a theory that SF can be more illuminating about the time of its writing than about that of its imagined future. (ARTICLES)
Star Trek Enterprise: Anomaly Seeing the episode title "Anomaly" set off a few dozen alarms for our Evan. The title is reminiscent of the lowest form of storytelling we all saw so commonly on Voyager. Did it disappoint? Read on ... (TV REVIEWS)
Star Trek Enterprise: Exile This is the first episode of the season that is utterly devoid of any Trip/T'Pol scenes, at least in the romantic sense. Maybe that's one of the reasons our Evan loved it so much. What, no sensual T'Pol scenes? Forgetaboutit. (TV REVIEWS)
Star Trek Enterprise: Extinction In "Extinction," a sterile alien race, which is now extinct, creates a metagenic virus that has the effect of changing all other humanoid lifeforms into their own species. As far as originality goes, Evan reckons this episode gets a fairly average grade. (TV REVIEWS)
Star Trek Enterprise: Impulse Evan ponders whether this episode indicates that the show's reached a point where a continuing storyline can only go so far before involving the main characters in interesting and personal ways. Why? Well, poor old T'Pol is carted into sickbay, and she's obviously pushed way past the edge of sanity and into the realm of the truly psychotic. (TV REVIEWS)
Star Trek Enterprise: Rajiin This ep's premise appeared to be that the Enterprise was to take on a beautiful woman, who would use erotic and hypnotic powers to entice the crew. Evan thought we were in for another variation on "Precious Cargo," but he was pleasantly surprised. (TV REVIEWS)
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