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Star Trek Enterprise: Rajiin
This ep's premise appeared to be that the Enterprise was to take
on a beautiful woman, who would use erotic and hypnotic powers to
entice the crew. Evan thought we were in for another variation on
"Precious Cargo," but he was pleasantly surprised.
One
of my favourite things in life is being surprised. I refer, of course,
to pleasant surprises. There's no feeling quite like expecting the
worst, and then receiving the best.
That's precisely how I feel about the latest Enterprise
instalment, "Rajiin."
The premise appeared to be that the ship was to take on a beautiful
woman, who would use erotic and hypnotic powers to entice the crew.
I thought we were in for another variation on "Precious Cargo."
The possibility that I would be treated to the most fulfilling arc
story of the season was far from my mind. That is, however, precisely
what we got.
The
show opens with a scene inside the Xindi Council, in which a debate
ensues over plans to build a weapon to destroy Earth. The fact that
Enterprise has been encroaching on their territory is discussed,
as well as the recent incident at the Trellium mine ("The Xindi").
In fact, Trellium D will turn out to have a significant role in
the episode. But more on that in a bit.
First we have another scene between Trip and T'Pol. Trip wishes
to discontinue their sessions because "people are talking." It seems
that rumours are spreading, and that many are starting to think
that there is more going on in T'Pol's quarters than neuropressure.
T'Pol ends up pointing out that they are both members of the senior
crew, and if they wish to engage in a romantic relationship, it
would be their business alone and no one else's.
Trip accepts her logic and decides to continue their activities.
I'm feeling very uneasy about where this relationship is going,
but the interaction the two characters have throughout this episode
does show me that there might be more promise here than I initially
anticipated. Regardless of that fact, it seems as though the powers
that be on this series are absolutely determined to force these
two characters together, no matter what.
We join Archer in his quarters, where the good captain is experiencing
a disturbing dream. Also, he has a number of itchy sores over his
face and body. When he goes to sickbay, Phlox points out that the
irritations will only trouble him longer if he persists in scratching
them. It's not entirely clear what these irritations are caused
by, but it seems likely that they are a residual effect of his transformation
into an alien species. This theory would appear to be supported
by the conversation that follows.
Archer explains that his dreams are a result of him seeing himself
back in the alien city we saw last week. Phlox, in turn, makes a
rather wise observation: "Don't expect to recover overnight." Indeed,
that is exactly what I thought was going to happen. I'm pleased
to no end that the writers took a few moments to address the consequences
of the transformation.
The ship is travelling to a nearby planet where Archer has scheduled
a rendezvous with B'Rat Ud, a chemist who is willing to share with
them the secret of synthesizing Trellium D, a substance needed to
insulate the ship from the dangerous distortions we last saw in
"Anomaly." B'Rat explains that Trellium A is very common, but D
is very rare, and difficult to process. Additionally, it can only
be synthesized in its liquid state, but that is also when it is
the most unstable.
B'Rat questions Archer's interest in the Xindi, and tells the captain
that a Xindi ship was at the planet two days earlier. Archer and
the lest of the landing party go in search of the merchant they
had contact with, who turns out to be a slave trader, specializing
in beautiful young women. The merchant insists that Archer buy one
of the women to get information about the Xindi, but he refuses.
Just as Archer is leaving, one of the women, who we will eventually
come to know as Rajiin, runs toward him and begs to be rescued.
The merchant wants payment, but Archer instead beats him into unconsciousness
and takes Rajiin back to Enterprise. This is yet another
rather startling incident to remind us that Archer is a different
sort of captain this season. Archer then promises Rajiin that he
will return her to her homeworld, but the young woman claims to
have no memory of the place.
Trip completes the transaction with B'Rat, securing the formula
for Trellium D. What does he sell B'Rat? A collection of common
Earth spices, like black pepper, mustard seed, and cayenne. Trip
tells B'Rat that wars were once fought over these substances. B'Rat
accepts the deal.
Rajiin comes to Archer's quarters and make some very forward-seeming
advances. We soon realize that her seductive nature is more than
a talent, it's a gifting of some kind. After putting him into a
hypnotic spell, Rajiin performs a kind of biological scan on the
captain. Afterward, Archer is left to wonder if the experience was
real, or just another confused dream.
In the meantime, T'Pol and Trip's first attempt to synthesize Trellium
D goes dangerously awry, resulting in an explosive trashing of the
science lab. Though the experiment is a total failure, further hints
regarding the future of Trip and T'Pol's relationship are unsubtly
dropped in our laps. Trip is again resistant to the idea of further
neuropressure, but T'Pol insists, stating that she needs Trip to
be rested for their next attempt at the synthesis. I think, perhaps,
it's T'Pol who has another sort of "synthesis" in mind. Why? Oh
God, why?
Rajiin is discovered by Hoshi in the transporter room, and it's
at this point that I started to realize that the Rajiin storyline
went a lot deeper than was initially apparent. Rajiin then makes
her moves on Hoshi and T'Pol, resulting in some seriously edgy,
homoerotic television moments. Riveting stuff, particularly when
Rajiin runs her hands over T'Pol's breasts.
After taking her "bioscan" of the Vulcan, T'Pol goes into a coma-like
state, and is discovered by Trip just in time to be taken to sickbay
for treatment. Whatever Rajiin did to her, it caused some serious
damage that probably would have killed a human or a Denobulan. Fortunately,
according to Phlox, Vulcans are more resilient.
Rajiin is then contacted by a Reptilian Xindi vessel, and is on
the verge of making her escape via transporter, when she's stopped
by Archer. In the brig, Archer interrogates her. If this scene is
chilling, it's because we remember the last time Archer interrogated
a prisoner here for information about the Xindi, and it was not
a pretty sight.
Eventually Rajiin caves in and tells the captain what she knows:
her mission was to collect information about humans for the Xindi,
to be used in the building of a biological weapon. Horrified, Archer
realizes that Rajiin must not be returned to the Xindi.
Before long, however, the ship is attacked by two Reptilian Xindi
ships. Despite their efforts, the crew is unable to keep the Xindi
from boarding and before long the corridors are crawling with various
Reptilian Xindi, and at least one insectoid. We learn that phasers
can be ineffective against these new foes, and after a lengthy (and
particularly well-executed) firefight, the Xindi complete their
mission, regain Rajiin, and return to their ship.
Archer attempts a pursuit, but the two vessels disappear into "some
sort of vortex." One Reptilian Xindi was left behind, but he killed
himself through the use of a suicide implant rather than be captured.
Perhaps useful, however, is the dead enemy's weapon. It will be
Reed's job to analyze the weapon, and T'Pol's to study the scans
of the Xindi ship so that they won't be caught by surprise again
in the future.
And on that particularly harrowing note, our last scene brings
us back to the Xindi Council, where the Reptilian Xindi reveal Rajiin,
and the information she has collected, to the group. Plans to proceed
with the bioweapon begin, though some in the council believe that
the Reptilians' "act of insubordination" will leave them more vulnerable
than ever.
Here are a few quotes I noticed this week:
Archer to Rajiin, regarding their mission to stop the Xindi, "We
were hoping to resolve a disagreement." Now there's an understatement
if I ever heard one.
Hoshi to Rajiin, during her seduction, "I'd love to hear your language."
Just what kind of language do you suppose she was referring to?
Rajiin, to the Xindi Council, regarding the information she provides
them, "There's more to these humans than can be learned by a set
of biometric scans." It seems to be me that this is a fairly obvious
reminder that the writers haven't forgotten the founding humanist
ideals on which Star Trek is based. That said, the statement
didn't go unappreciated.
A noteworthy item: Phlox tells us that Crewman Cutler almost broke
her arm in the exobiology lab, a result of one of the strange disturbances
so common to the region. Cutler was one of my favourite characters
back in the first season (she made three appearances: "Strange New
World," "Dear Doctor," and "Two Days and Two Nights"). I was quite
devastated when she went absent in Season Two, though I hear that
the actress has gone on to bigger and better things. Nonetheless,
I still hope one day to see her face again, since I liked what was
started back in "Dear Doctor." At least this line acknowledges that
she is still aboard, and alive and well.
9. There is very, very little about this episode that I didn't
like. I still have a few qualms about where the Trip/T'Pol relationship
is headed . . . and wherever that is, the writers seem to be in
a hurry to get there. At least we're starting to at least get a
semblance of justification for it. The season's arc continues to
be rigorously pursued to a new and exciting conclusion. I'm left
with the impression that this show has made at least as much progress
in the last four or five episodes than the entire two seasons preceding
it.
My biggest concern at this point is that this story is getting
so big (and it will inevitably get a lot bigger), that it's more
than stretching credibility that we didn't hear about these events
in the other Trek shows. My problem, if anything, is that this season's
ongoing plot is a storyline that could just as easily have been
pursued in a show that took place in the timeline after Voyager,
and doesn't work as easily in a show that's meant to serve as a
prequel.
Again, I'm more than a little impressed at what's being attempted.
Evan Braun
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OTHER CONTENT - November 2003
Chris Moriarty: All in a Spin The science fiction author behind the amazing novel Spin State braves our interviewer's chair. (AUTHOR INTERVIEWS)
Offworld Report - SF: November 2003 Interviews with author Wil McCarthy, the cast of Alias, and the Director of Underworld. Plus criticism of this year's Worldcon in Toronto, the return of Dr Who, and a short science fiction history of the Middle East. (NEWS)
Offworld Report - Weird Science: November 2003 Martial arts robots hit Asia, the day a meteorite crashed through my roof, China sparks a new space race, and life across the stars: they're now betting on the system 37 Gem . (NEWS)
Offworld Report - Comics & Anime: November 2003 X-Men scribe Mark Millar interviewed, the return of the Micronauts, more flipping anthropomorphic animals, plus new G-Saviour, Cowboy Bebop and Melty Lancer. Don't you just love those odd anime titles? (NEWS)
Offworld Report - RPGs and Games: November 2003 A look at The 1920s Investigator's Companion, Werewolf: the Dark Ages, Viking Age, and Stargate SG-1 the role-playing game, plus the question is posed: is live roleplaying on its last legs? Perish the thought. (NEWS)
Cold Creek Manor The creepy contrivance that takes the form of director Mike Figgis's haunted house hokum Cold Creek Manor definitely wants to develop the goose bump response for its anticipating audience. Unfortunately, this stillborn by-the-numbers movie of terror is reductive and just plods along. (FILM REVIEWS)
Kill Bill (Volume One) In the intentionally overwrought and gloriously violent-drenched B-movie actioner Kill Bill Tarantino pours it on thick as he chaotically pays homage to the movie genres that he reveres so deeply - creating a concoction of ubiquitous escapist Asian kung-fu flicks along with a dash of redemptive foreign spaghetti westerns. (FILM REVIEWS)
Underworld If a vampire loves a werewolf, where can they set up housekeeping together? Nowhere. At least not in a world where werewolves and vampires have fought for a thousand years. Mark discovers a film of non-stop action and non-start intelligence, with lots of gunplay and the look of The Matrix. (FILM REVIEWS)
The Torrid Movies of Torcon Mark brings you his impressions of some interesting upcoming movies based on attending the various trailer shows at Torcon 3, aka 2003's World Science Fiction Convention. (FILM REVIEWS)
Does Science Fiction Have to be About the Present? SF author Ken MacLeod has a theory that SF can be more illuminating about the time of its writing than about that of its imagined future. (ARTICLES)
Star Trek Enterprise: Anomaly Seeing the episode title "Anomaly" set off a few dozen alarms for our Evan. The title is reminiscent of the lowest form of storytelling we all saw so commonly on Voyager. Did it disappoint? Read on ... (TV REVIEWS)
Star Trek Enterprise: Exile This is the first episode of the season that is utterly devoid of any Trip/T'Pol scenes, at least in the romantic sense. Maybe that's one of the reasons our Evan loved it so much. What, no sensual T'Pol scenes? Forgetaboutit. (TV REVIEWS)
Star Trek Enterprise: Extinction In "Extinction," a sterile alien race, which is now extinct, creates a metagenic virus that has the effect of changing all other humanoid lifeforms into their own species. As far as originality goes, Evan reckons this episode gets a fairly average grade. (TV REVIEWS)
Star Trek Enterprise: Impulse Evan ponders whether this episode indicates that the show's reached a point where a continuing storyline can only go so far before involving the main characters in interesting and personal ways. Why? Well, poor old T'Pol is carted into sickbay, and she's obviously pushed way past the edge of sanity and into the realm of the truly psychotic. (TV REVIEWS)
Star Trek Enterprise: Rajiin This ep's premise appeared to be that the Enterprise was to take on a beautiful woman, who would use erotic and hypnotic powers to entice the crew. Evan thought we were in for another variation on "Precious Cargo," but he was pleasantly surprised. (TV REVIEWS)
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