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The Crow: The Story Behind The Film by
Bridget Baiss
pub: Titan Books. 288 page enlarged paperback. Price:
£14.99 (US), $16.95 (US). ISBN: 1-84825-779-1
check out website: www.titanbooks.com
'Thank
heaven that somebody has finally decided to bring out a book that
tackles this subject. Over the years, I have become increasingly
irritated by the rumours and false explanations that surrounded
the subject of Brandon Lee's death on the set of 'The Crow'.
Some said it was the infamous 'Curse of the Dragon' that had purportedly
claimed his father's life and now came back for his as well. Others
stated that it was some sort of 'blood pack' placed on his person
that imploded, rather than exploding as it was supposed to. After
all this time, it is nice to have an author gather all of the evidence
together concerning this tragic event and provide us with the most
accurate account available so far.
This
book offers far more than a simple account of the terrible accident
at the centre of the controversy. It also details the entire process
of bringing 'The Crow' into being, from the producer Jeff Most's
discovery of the intense comic series by James O'Barr to the movie's
completion in post-production. It is a fascinating subject worthy
of examination and, for the most part, Baiss lives up to the challenge
of dealing with such an emotive subject.
Having been a fan of this film for such a long time, it is wonderful
to peruse this work which, in reading, allows you to feel somehow
closer to the subject matter than has been possible before. This
is despite the fact that a few of the key players involved in the
project actually refused to discuss the film with Baiss, as various
groups told her that they planned to write their own books about
the subject in the future.
Books which have, as Baiss points out, consistently failed to appear.
Unfortunately, this group of people includes Alex Proyas, the film's
director. Despite this seemingly crippling disadvantage, Baiss has
managed to talk to most of the rest of the cast and crew, who have
helped her to create a book that captures the essence of what it
must have been like to be a part of this classic SF film.
Particularly wonderful are the cast's recollections of Brandon
himself and how he reacted to the often uncomfortable and difficult
conditions that were prevalent whilst filming the movie. We are
left with a poignant image of a young man engaged in what was likely
to have been his big break, who had so much to live for, who was
almost universally liked and respected by the people with whom he
was working.
Of course, the reluctance of people to speak ill of the dead may
have something to do with this, but so many of the accounts given
seem so genuinely heartfelt that this could never be the sole cause
of all the good things they remember him for. The book does suffer
from a few odd quirks, though, and these are principally to do with
Basis' style. She has a tendency to mention people's physical condition,
when it's not really relevant to the events she is depicting.
Do we really need to know that O'Barr is 'losing his longish fair
hair...and has gained some weight'? The work can also be sometimes
bogged down in a swirl of names and seemingly inconsequential detail
and there are the occasional moments when getting from one chapter
to another is a bit of a chore. Despite this, I often found myself
discussing the book with friends and family and any poor unfortunate
soul who couldn't get past me in a corridor.
It is a book packed full of insights into the way films are created
and the terrible consequences of focusing too hard on the bottom
line. The genuine cause of Brandon's death will have you in tears,
as knowing it only serves to increase the sense of waste that many
of us associate with his passing.
For anyone who appreciates the film or loves movie-making tales
this is definitely one to put on your wish list. This is not really
a book that favours the casual reader, but true devotees will come
away feeling, as I did, that a gap in movie history has at last
been properly filled.
Paul Skevington
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OTHER REVIEWS - April 2004
Other reviews: April
2004
Lucifer's
Dragon by Jon Courtenay Grimwood
The
Companions by Sherri S. Tepper
Gridlinked
by Neal Asher
The
Matrix Comics
Beyond
Infinity by Gregory Benford
Sunshine
Patriots by Bill Campbell
Zulu
Heart by Steven Barnes
The
Skies Of Pern by Anne McCaffrey
Eight
Keys to Eden by Mark Clifton
The
Adam Strange Archives Volume 1
Wit'ch
Gate: Immortal Magic - Infinite Vengence by James Clemens
The
Knight by Gene Wolfe
Hound
by George Green
Dime
Store Magic by Kelley Armstrong
Deep
Space Nine: Rising Son by SD Perry
Absolution
Gap (The Inhibitors series book 3) by Alastair Reynolds
Alchymist
(The Well Of Echoes book 3) by Ian Irvine
Hal
Spacejock by Simon Haynes
Hal
Spacejock: Second Course by Simon Haynes
Dead
Until Dark by Charlaine Harris
Mothership
by John Brosnan
The
Dancers At The End Of Time by Michael Moorcock
Newton's
Wake by Ken Macleod
The
Crow: The Story Behind The Film by Bridget Baiss
White
Devils by Paul McAuley
British
Summertime by Paul Cornell
The
Year Of Our War by Steph Swainson
April
2004: Hardback to Paperbacks
The
Chesley Awards: A Retrospective by John Grant and Elizabeth Humphrey with Pamela
D. Scoville
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