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On
Spec: The Canadian Magazine Of The Fantastic: vol 15 no. 2 summer
2003 and vol 15 no. 3 fall/winter 2003
pub: magazine: Copper Pig Writers Society. Price: $
5.95 (CAN). ISSN: 0843-475X (#2); 0843-476X (#3). Distributed in Canada
by CMPA and the UK by BAR
check out website: www.onspec.ca
On Spec is a robust-looking quarterly magazine,
reminiscent in appearance of those old Readers Digests you'll find
tucked away in elderly relatives bookcases. At over 112 pages per
issue, with very few if any advertisements, you realise as soon
as you pick it up that you're probably going to get value for money,
at least where quantity is concerned.
Content wise, On Spec is a bit of a mixed bag. It is principally
a magazine devoted to the furthering of fantastical writing by Canadian
authors but also contains articles and features on various related
subjects, including occasional showcases of fantasy artists.
Dipping into the Winter 2003 edition it becomes apparent that On
Spec sometimes creates themed magazines, the theme in this case
being Shakespeare. This to me was not a good sign. I don't much
like re-interpretations and re-imaginings. I had a horrifying vision
of English lessons where the student is told to re-write keys scenes
from Romeo And Juliet but this time in gangster rap to make it more
relevant. 'Yo Tybalt stop dissing my homie!'
Despite
these worries, I found much of quality and promise in this issue.
'More Than Salt' is a tale that addresses King Lear's relationship
with Cordelia by transferring it onto the shoulders of a young girl
from a dysfunctional family and a tramp with a tragic tale.
The classic play weaves its way around the two characters, pulling
them in almost involuntarily and it is this fantastical element
that saves a tale that is too often mawkish and a little over-baked
plot-wise. 'Fox And Otter' proves to be more entertaining.
It features two rather unusual sisters who are to play host to
Queen Elizabeth herself. Being unmarried, they are afraid that the
Queen will seek to remedy this situation and quickly devise a plan
that will hopefully solve this problem. Where magic is involved
though things never seem to work out exactly as expected. Well written
and captivating to the end this tale rejuvenated my interest in
the two little books before me.
As I examined them further though it quickly became apparent to me
that the articles were often even more involving than the fiction
itself. Particularly welcome in the winter edition were the two
sections featuring the work of fantasy artists, which broke up the
text with some stunning imagery, the work of Leo and Diane Dillon
being a personal favourite.
The article on fiction writing by Michael Bishop was notable as
it presented many useful tips of the trade, some new, some old and
some that smacked more of personal taste than of a canonistic approach
to writing. But what idiot would want to write canonically anyway!
Stories
are what we're really interested in though and in this respect I
found the spring edition a bit more to my taste. Freed from the
constraints of the Bard, things began to get a bit more interesting.
All of the stories in this issue spoke of burgeoning talents.
From the quality of this fiction, I would think that if Canada's
fantasy scene ever opens up fully we will all be in for a treat.
'Company Man' is one of the highlights from this issue. It delves
into the past life of a hippie-come-revolutionary who was once a
very different person. He was in fact the company man of the title.
This all changed after a confrontation with the true nature of corporations
and their relationship to humanity.
'Gone Fishin' is a horrific piece about the terrors of nanobots and
what they could mean for life as we know it. Yes, I know its been
done before, but this is still a fascinating look at what could be.
Conversely to the winter issue my main problem here was the lack
of articles. I found there wasn't much to alleviate the constant
flow of invention and when reading a magazine, even a principally
fiction orientated magazine, it is sometimes nice to have something
jump out at you to liven up the proceedings. I missed the artwork
from the winter edition.
Before you ask this doesn't mean I only read books with pictures,
all right?!!
On Spec is an admirable avenue for the exploration of the work
of new Canadian authors. Generally well written and always well
presented it is a magazine that engages and excites in equal amounts.
I hope that other countries will take note and follow the example
of the obviously committed folks who put this baby together.
And if you don't like it...blame Canada.
Paul Skevington
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