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Richard
Matheson: Collected Stories Vol. 1 edited by Stanley Wiater
pub: Edge Books/Gauntlet Press. 399 page enlarged paperback.
Price: $16.95 (US), $24.95 (CAN). ISBN: 1-887368-62-0
check out website: www.gauntletpress.com
More work of the legendary Twilight Zone
scriptwriter Richard Matheson only this time covering his early
short story tenure. This is the first of three volumes reprinting
Matheson's Collected Stories 1989 limited edition.
With this number of pages per volume this reviewer is happy to
be reading it in 28 story chunks than all at once. Then again, I'm
a great believer in holding a book in my hands than struggling not
to damage it.
Reading Matheson's earliest works, together with his own side comments
on how what had been going through his head and self-assessment
of how good the material was, is a great learning experience. Matheson's
greatest strengths comes from describing a scene and producing instantly
interesting characters with accompanying dialogue. A couple stories
in this volume are solely dialogue based and is no wonder that they
indicated his future in scriptwriting.
You're
also seeing several stories in their original form before being
adapted into Twilight Zone episodes. Although I haven't seen many
of the original episodes in many a year, it would be interesting
to compare the two formats.
The simplicity of Matheson's technique is more a focus on the importance
of events which is also how TV work is put together. This doesn't deny the quality of the work but shows a clean style
is always an effective seller. With some of the stories I also got
the inkling that Matheson didn't intend to become an SF author.
He often cites that he literally tacked on an SF type ending to
ensure he made a sell to a particular editor.
No doubt this reflects much of the early 50s where and how you
could sell your stories.
To pick out individual stories as worth looking at is really difficult
in Matheson's case. Even the odd couple stories I didn't think were
particularly effective was also indicated that he thought could
have been better as well. This really is a warts and all book and
not just indicating his best material. Where the material is great
makes it difficult to say something is better than others without
slighting the rest.
It's interesting to observe that Matheson frequently uses a professional
writer as his protagonist obviously using himself as a template.
These days, such actions would be frowned on although Matheson does
vary it with other professions to ensure this pattern is broken
up.
This book should be on the reading list of all neo-writers to study
Matheson's early technique and realise things haven't changed much
in the past half century.
If you're just a reader then you'll going to find this some valuable
time savouring a master in his development stage. If you're a developing
or long-term writer, then now's the time to learn from a master.
Can't wait for his next volume.
GF Willmetts
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