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Looking
Upward Scots SF author Ken MacLeod muses on all our imagined
societies of common ownership, and wonders if poor old human nature just keeps
on getting in the way of utopia.
Max
Mitchell asks, aprops the last couple of posts: "I wondered if you'd
come across Michael Albert's Participatory Economics (ParEcon) and
what you thought of it?"
I
hadn't, though I'd read a little about it, so I checked it out. A common
response to imagined societies of common ownership is to say: 'I'd like to live
there, if it was as you describe, but I don't think it would work' (or 'you haven't
shown how it would work'). Many would say that of Iain Banks's Culture, the colony
world in James P. Hogan's Voyage from Yesteryear, or William Morris's News from
Nowhere. They all handwave towards unspecified machinery. Morris has his
'force engines' humming away behind the greenery. Hogan has his co-ordinating
computers and robots. Banks has his Ship Minds. In the Culture, the humans need
concern themselves no more with economic co-ordination than the bats in a belfry
need follow the deliberations of the General Synod. 
The
same, mutatis mutandis, is true of my own Solar Union. Basically, people live
in an immensely fruitful and various tree. Sometimes their councils of elders
tell the tree what to do, but it is by no means evident that the tree listens.
I'd happily live there myself, but I haven't shown how it would work. Michael
Albert has been slightly miffed to have his utopia encounter the opposite reponse.
Most critics, he says, admit that it would work. They just wouldn't like to live
there. Although Albert and his colleague Robin Hahnel have tried to answer their
critics, it still looks to me as schoolmarmish an anarchy as Le Guin's Annares.
The invisible hand of the market and the clenched fist of the revolution give
way to the pointing finger of the neighbourhood. It doesn't evade the economic
calculation problem, at least at first glance because the scheme is a market,
albeit an apparently cumbersome one. (Though my handwave detector registers a
slight disturbance in the air at the step where 'socially agreed algorithms' are
applied to work out the 'true social opportunity cost'.) It's still well
worth thinking about, especially for anyone designing a social system for a space
habitat or a generation starship (I remark, idly). One SF fan and Parecon advocate
has suggested that it fits the data for the Star Trek Federation. A revolutionary
Marxist, Joseph Green, has written a rather interesting critique of it, to which
Albert has replied. Other critiques, defences, and basic and
in-depth expositions can be found at the aforementioned Parecon site. One of its
inspirations, which I'm now itching to read, was Edward Bellamy's Looking Backward.
This is a socialist utopia in which the people of 21st century America
live in skyscrapers, listen to electrically recorded music, work for giant corporations,
and spend with credit cards. As far as I know they didn't have to justify
their purchases to their neighbours. We are indeed building the new society within
the shell of the old. Ken Macleod (c) Ken MacLeod
2004
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OTHER CONTENT - July 2004
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Tricia
Sullivan Interview
On why her SF novel Maul was a twisted response to Sheri S. Tepper's 'The Gate
to Women's Country', her regard for authors Justina Robson and John Courtenay
Grimwood, and imagining an extremely disturbing future.
(AUTHOR INTERVIEWS)
Offworld
Report July 2004: Science Fiction and Fantasy
Interviews with authors Sean McMullen, John Crowley , Bruce Sterling, Richard
Morgan and Kim Stanley Robinson; a look at the Stepford Wives and the sequel
to Pitch Black, fiction by Gardner Dozois, and a report from the first African-American
science fiction festival.
(NEWS)
Offworld
Report July 2004: Weird Science
Sir Arthur C. Clarke on terraforming, the Cassini probe closes in on a weird
moon, scientists teleport atoms, the invisible Nordic warship, has Atlantis
finally been discovered, and more SpaceShipOne and X-prize coverage than you'll
know what to do with.
(NEWS)
Looking
Upward
Scots SF author Ken MacLeod muses on all our imagined societies of common ownership,
and wonders if poor old human nature just keeps on getting in the way of utopia.
(NEWS)
The
Day After Tomorrow: Mark's Take
In this new movie Mark finds global warming launches a quick-freeze ice age,
killing billions of people. Roland Emmerich brings us a special-effects-laden
look at the human race reeling under the havoc caused by the worst natural disaster
in 10,000 years, a super-cold cyclonic storm that covers the face of the planet.
The story is compelling and plausible enough for non-experts.
(FILM REVIEWS)
Harry
Potter and the Prisoner of Azkaban: Mark's Take
Harry Potter is back at Hogwarts and this year he has a crack at the man who
betrayed and murdered his parents. But Mark discovers this is a family film,
not a children's film. The adults may like it as much as any of the children
in the audience, but the series is reaching a point of diminishing returns.
(FILM REVIEWS)
Harry
Potter and the Prisoner of Azkaban: Frank's Take
Author J.K. Rowling’s bespectacled boy wizard wonder is back and better than
ever. In fact, he’s matured and the subsequent growth of this sorcery student
is evident in the burden of angst good old Harry carries around as his magic-in-training
mode continues to dominate his colorful yet chaotic existence.
(FILM REVIEWS)
The
Day After Tomorrow: Frank's Take
Frank reckons 'The Day After Tomorrow' will most likely be viewed as a long-winded
and loopy meteorology mishap for weather forecast freaks. Justifiably so, Emmerich’s
furious yet flimsy convention of cartoonish catastrophe gives a whole new meaning
to the classic movie title Gone with the Wind. It’s too bad that this global
gloom session couldn’t sweep away any sooner than its two-hour running time.
(FILM REVIEWS)
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