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Singularity Sky by Charles Stross
pub: Orbit/Times Warner. 389 page hardback. Price:
£12.99 (UK). ISBN: 1-84149-333-3.
check out website: www.OrbitBooks.co.uk
and www.TimeWarnerBooks.co.uk
Rochard's
World is in the backwater of the galaxy and nothing much happens.
The Government like it that way. The people live in an enforced
feudal existence and power is centralised. However, the Universe
has other plans. There's a revolution coming and it isn't what anybody
expects.
The Festival arrives. Sitting on the outskirts of
the star system, it starts to drop mobile phones onto the ground.
The first person to pick one up learns he can have his heart's desire
simply for some information. What follows is realisation of everybody's
dreams and some people's nightmares.
Burya Rubenstein has been plotting revolution for
years and is in internal exile for his pains. Now he finds his aims
have been superseded as the planet collapse in anarchy around him
and he must try to make the best of it.
Meanwhile, the Government has its own plans to stop
the revolution which involves breaking causality by sending a fleet
of spaceships three weeks into the past to engage with the Festival.
If only it were that simple. The best laid plans and all that...
Caught up in all this is Martin, ostensibly an engineer
working on the space fleet. He, too, has an agenda. He meets Rachel,
a well-preserved agent of the UN, who despite her better judgement
finds herself warming to him. They become embroiled in the causality
problem and, on a more positive note, each other.
Another space opera it isn't. 'Singularity Sky' manages
to engage the brain extensively. Occasionally it overdraws on the
cerebral cortex and requires me to say, 'Eh what?' There is a considerable
amount of political theory squashed into a not insignificant amount
of story. It also has human interest. In other words, 'lurve' but
not too much to put off the more macho reader. Contrasting with
the nuts and bolts science, it also features a giant rabbit and
a large tusked animal called a 'Critic' that moves around the world
in a shed on legs.
The Critic comes with the Festival and gets involved
at ground level. I can't help feeling that Charles Stross has been
to Edinburgh and yes, there is also a rather dangerous 'Fringe'.
Most of the cultural references flew over my head without stopping
but I enjoyed it nonetheless. The book also has multiple viewpoints
but always maintains them in the third person keeping its distance
which occasionally made it rather cold and analytical.
Reservations notwithstanding, this is certainly a
different and rather refreshing novel that is richly entertaining.
The drama is certainly muted by how involved you feel with the characters
and it is not a dramatic death or glory storyline. The plot is more
sarcastic than catastrophic. It is clever without being too smarmy
and it gives good value for its 389 pages. Mainly then, I was pleased
not to have to read 1000 pages+ to get strong characters, a plot-rich
story and incisive dialogue.
The sequel 'Iron Sunrise' follows some of the characters
introduced in this book into a new story based in another part of
the Universe. It looks to be a darker story than this and has the
harder edge missing from this first story. I'm looking forward to
it.
A sequel due in July of this year.
Sue Davies
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