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Eight Days in Zagreb
Our jetsetting Scots SF author Ken Macleod flies out to Croatia
as a guest at the Sferakon convention. He finds the old world of Yugoslav
science fiction intriguing, from the pulp cover translations of Western
SF novels to state-sponsored SFF societies.
Carol
and I went to Croatia the week before last. I was a guest of Sferakon,
who covered our first four nights in the hotel; my flight was paid
for by the British Council, for whom I gave a talk as part of a
science festival at Zagreb's Technical Museum.
Vlatko Juric-Kokic met us at the airport, and his friend Goran
drove us to the Hotel Dubrovnik. It was a sunny and hot afternoon
and after unpacking we went to the nearest pavement cafe, just outside
the hotel, and had a couple of beers. The hotel's in a pedestrianised
area and it was a good place for people-watching.

We then took a walk down Ilica, the longest street in Zagreb, busy
with trams. That evening Vlatko took us out for dinner, and then
up past the main square to a long street lined with pavement cafes
and bars, at one of which we had another couple of beers. The currency
is the kuna, of which there are about ten to a British pound. Prices
for drinks and eating out are approximately half what you'd pay
in Britain.
The centre of Zagreb looks very West European: Austro_Hungarian
buildings, red tiled roofs on the houses, and the odd sixties or
seventies office block. A few hundred metres in any direction from
the centre and it starts to look more like your typical commie downtown,
except with brighter neon and better stocked shops. Many of the
shops are Western chains, others date back to the Kingdom or the
Empire, and some are survivors from the socialist era.
Vlatko said it was easy to tell which was which, and I guess a
yellow neon sign with black lettering announcing (free translation)
Electro-mechanical Devices or Things You Might Wear or Stuff To
Eat is something of a clue (by contrast with, say, Miss Selfridge,
United Colours of Benneton, or Somebodyic and Sons, Purveyors of
Fine Wines and Provisions Since 1789). South of the river is Novi
Zagreb, all post WW2 and mostly huge - and not at all identical
- apartment blocks many of which seem to have a ground floor of
small shops and cafes.
The general feel of the place is pretty laid back. People dress
smartly and behave politely and are friendly. You couldn't ask for
nicer. Croatia is both Catholic and nationalist, but relaxed about
it, in the style of the Irish Republic today rather than in the
thirties, or even modern Poland. What Croats primarily disliked
about the SRY wasn't the socialism, it was the Serbian dominance.
Vlatko adds:
Which is not surprising, considering that the original kingdom
was created in 1918 as The Kingdom of Slovenes, Croats and Serbs.
And then the Serbian king (whom they chose as the head of the state)
grabbed all the power into his hands in 1921, installing the people
whom he knew into positions of power - ie, Serbs from Serbia. That
meant people of other nationalities got a very short shrift for
quite a while, up to WWII.
Tito tried to spread the power more evenly, but the state institutions
were all in Belgrade. The successes and failures of Yugoslav socialism
were all its own. Dismantling it is a complicated process, including
at the level of ownership, where the early wholesale theft and graft
has given way to a careful legal unpicking of 'social property rights'.
One fan told us that sixty to seventy per cent of people are worse
off than they were under socialism, and that what the country really
needed was someone like Margaret Thatcher. The average wage is between
300 and 400 UK pounds a month. People don't look that badly off,
I said, especially young people in in central Zagreb. Hah! They
make a drink last two hours and they live with their parents, he
insisted.
Looking at old Yugoslav science fiction is intriguing. A stall
at the con had stacks. Futura and other magazines, and the old SF
paperbacks, had lurid and lively covers like American and British
pulps. A very broad range of contemporary Western SF was available
in translation - the only major writer poorly served was Heinlein,
and that seems to have been down to a personal distaste on the part
of the Grand Old Man of Yugoslav SF, Zoran Zivkovic, rather than
official disapproval. SF clubs, like other interest groups, used
to apply to the local Cultural Centre for facilities, and get sponsorship
from enterprises and municipalities.
Charmingly, translators transliterated Western names into Serbo-Croat
spelling: Pirs Entoni, Dzejms Balard, Dzems Blis, Artur Klark, Dzon
Kembel, Filip Hoze Farmer, Robert Hajnlajn, Mijkl Dzon Herison,
Dejvid Lengford, Fric Lejber, Djon Verli, Dzil Vern, Djek Vens,
Vernor Vinz are among many listed in Zivovik's massive, loving,
dated encyclopaedia (enciklopedija) which I picked up second-hand
at the con for 18 pounds (and worth every kuna for the illustrations
alone).
Vlatko notes that some of these spellings are incorrect, and adds
re transliteration: It is the usual linguistic practice in Serbian.
Croatian leaves names in their original form. It's been like that
from ... oooh ... at least since after WWI, I think. I do have some
old Croatian books from 1890s (The Ghost of Canterville, frex) and
they do have the original forms. OTOH, I also have a Hamlet from
1900 and something in Cyrillic and it, of course, has names transliterated.
So I guess it's a remnant of the times when Serbia used only Cyrillic.
(They returned to that in 1990s.)
But the practice was present through the Yugoslav era, either the
first or Tito's one. One of the differences between Serbian and
Croatian.
If the Encyclopaedia was published in Zagreb, and in Croatian,
it would have the original names. The con was held in the ground
floor of the Electro-Engineering Faculty of Zagreb University. Hundreds
of people attended over the weekend. As usual with this type of
con, the average age was younger than you'd expect in Britain, and
there was a likewise higher proportion of Trekkies (U.S.S. Croatia),
modellers and gamers. Live Action Roleplay (LARP) enthusiasts work-shopped
at tables.
Making chainmail looks as repetitive and sociable as knitting.
The program consisted mostly of talks rather than panels, and film
and TV showings. I had four items: being interviewed by Vlatko;
a talk about wild AI in global networks, which was followed by an
enlightening discussion from the audience about economics and game
theory; the launch of the Croatian edition of my YA novella Cydonia;
and a talk about interstellar travel and life-extension.
Otherwise Carol and I hung out, often in the doorway where the
smokers gathered. Among other people, we met Milena Benini, who
had translated Cydonia in a month. That's less time than I took
to write it.
My lecture at the Technical Museum was on the Monday morning. Vlatko
met us at the hotel and we walked there. The Technical Museum looks
dilapidated from the outside - it's wooden, and an old Zagreb Fair
stand - but inside it's airy and modern, with good exhibits: aircraft
engines, a space probe, a robot football game.
About a dozen people turned up for the talk. Most of them sat at
the back. I gave an adaptation of my Sunday Herald article, then
took questions. One guy asked intently about traces of life on Mars.
Why were they so strange? I asked him to explain. The Face, he said
- why is it so ugly? There were some better questions.
On Tuesday we took a tram to the same area, and explored the Botanic
Gardens, which among other things have a pond with turtles. Then
Vlatko and his girlfriend showed us around an exhibition of Art
Nouveau in Croatia. That was fascinating and included a good deal
of early-twentieth-century background material: photographs, advertisements,
tableaux of well-displayed dresses, and furniture designed in the
New Style.
That evening we met up with lots of people from the con committee
for a big dinner in a beer hall. The food was meaty in generous
portions and the beer was great. Vlatko presented us with a double
bottle of local brandy, a gift from the con.
Wednesday we took two tram lines north and west to the mountain
that overlooks the city, and then the cable-car to the summit. The
cable car holds two people. It zooms up a steep grassy slope to
the first pylon, and then the ground drops away beneath you and
you are soaring over a small valley, the first of several.
Most of the time you're at treetop height. The trees are quite
tall. At the top there is a very high television mast, several cafes,
and the apparatus of a ski-slope. The air is noticeably thinner
and colder. The view is spectacular, though at the time it was hazy.
The following day Goran drove Vlatko and us all the way to the
Slovenian border to visit a very impressive castle, simultaneously
a fine building and a formidable fortification (never actually attacked).
The interior is wonderfully aristocratic, with hidden doors for
the servants, massive furniture that smells like honey, libraries
full of bound volumes of Sporting Life ... The countryside to the
north of Zagreb, once you get off the alluvial plain, is all rolling
forested hills and small clusters of houses.
Fields are generally tiny, and you sometimes see a man ploughing
one with a tractor, or a woman weeding one with a mattock. I remarked
that there were a lot of new houses. Just because you can see the
bricks, Vlatko explained, doesn't mean they're new. They just haven't
got round to plastering them. And looking closer, a lot of the apparently
new houses had curtains in the windows and lights inside and gardens
up to the raw brick.
Goran took us to a summer-house that his grandparents had built
in the sixties, an entire vintage wooden farmhouse dismantled from
the plains and transported and rebuilt in the mountains. You could
see the numbers on the beams.
In between all this, we wandered around the centre of Zagreb, taking
in the usual sights that you can read all about in the Lonely Planet
Guide. The fruit and flower markets, the Stone Gate, Saint Mark's,
the Cathedral of the Assumption, the shortest funicular ride in
Europe, and the best ice-cream shop (apart from Nardini's in Largs,
Ayrshire).
We left with a very warm appreciation of Croatia, and of its fandom.
Croatia used to be a popular holiday destination, and is becoming
so again. We certainly intend to come back.
Ken Macleod
(c) Ken Macleod 2004
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OTHER CONTENT - June 2004
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Neal
Asher Interview
Psychologically disturbed android killing machines. A Beast that harvests people
to research its genetic dabbling across time by sending them back to the primordial
ages. A mysterious Japanese man still living millennia after Hiroshima. A physicist
that uses nanotechnology to merge with a spacecraft. Welcome to the weird and
wonderful world of Neal Asher.
(INTERVIEWS)
Big
Ben
Ben Jeapes interviewed. The author speaks about penning cracking reads like
'His Majesty's Starship' , the differences between writing SF for the young
adult market and the 'grown-up' sector, and the sadness of shutting the doors
at his own publishing house, Big Engine.
(INTERVIEWS)
Just
a Tad More
If Tad Williams' Memory, Sorrow & Thorn series is "the fantasy equivalent of
War and Peace" (Locus magazine), then Tad must be Fantasy's Leo Tolstoy. The
prolific Mr Williams is cornered for some vodka and a chat.
(INTERVIEWS)
Bruce
on Bruce
The father of cyberpunk - or at the very least the Uncle - Bruce Sterling, chats
about his new technothriller, The Zenith Angle, with real-life security expert
Bruce Schneier.
(INTERVIEWS)
Forty
Whacks
Scots SF author Ken Macleod visits sunny Spain for the second installment of
'Stitch and Split: Selves and Territories in Science Fiction', in Seville, sponsored
by the Universidad Internacional de Andalucia. Take a walk with Ken down the
Latin road to SFF.
(COMMENT)
Eight
Days in Zagreb
Our jetsetting Scots SF author Ken Macleod flies out to Croatia as a guest at
the Sferakon convention. He finds the old world of Yugoslav science fiction
intriguing, from the pulp cover translations of Western SF novels to state-sponsored
SFF societies.
(COMMENT)
The
Weird Tale of 'Pulgasari'
Mark takes a look at the fantasy film Pulgasari; featuring a beast which was
a North Korean giant monster who ate iron and grew to hundreds of feet high.
It's director was kidnapped from South Korea, taken to North Korea, imprisoned
for four years with no explanation, and then forced to make the only Marxist
monster movie.
(ARTICLES)
Godsend
In Godsend, Frank finds a run-of-the-mill child-cloning thriller turned into
a flaccid frightfest that is all clumsy thumbs, and no controllable finger to
decisively point this devilish dud of a movie in the right creative direction.
(FILM REVIEWS)
Shrek
2: Frank's Take
In Shrek 2, we are gleefully reunited with the amiable pot-bellied giant and
his colorful crew of supporters that include his new wife Princess Fiona (Cameron
Diaz) and his old sidekick Donkey (Eddie Murphy).
(FILM REVIEWS)
Shrek
2: Mark's Take
There is distinctly less magic and fun in Shrek 2 as the title ogre has problems
becoming accepted by his in-laws. All the same cast is back with the same voices,
but the tone of the film is darker and we don't learn a lot more about the characters
that we liked in the first film.
(FILM REVIEWS)
Van
Helsing: Mark's Take
Not as bad as it might have been, but still no bargain. This is a fast-paced
and overblown CGI-fest that leverages off of the old Universal monsters but
does not actually want to use them. Writer-director Steven Sommers of the 'Mummy'
films handles action scenes well, but is poor with directing acting or even
giving us a very good story. This is a film of dubious thrills and no chills
whatsoever.
(FILM REVIEWS)
Van
Helsing: Frank's Take
In this film, our Frank finds an exceedingly glossy but empty-headed thrill-seeking
monsters mash mishap that boasts competent big-budgeted special effects but
little else.
(FILM REVIEWS)
Eternal
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Mark uncovers quite probably the best new science fiction film he has seen since
Minority Report and well before. A device allows for the removal of painful
memories by erasing them. The hitch is that the memories must be opened and
partially relived as they are being erased. Charlie Kaufman's third script is
demanding, but it is delightfully engaging, intelligent, and even profound.
(FILM REVIEWS)
Troy
Despite the showcasing of buff bodies clashing with conviction in this historic
sword and sandals fable, Troy is an elaborate action-adventure yearning to sweep
the moviegoer off their feet but the uneven rhythms sullies its energized scope.
(FILM REVIEWS)
Offworld
Report June 2004: Science Fiction and Fantasy
Interviews with Peter Crowther, Steven Brust, John Jarrold, Neil Gaiman and
the stars of Van Helsing; JG Ballard considers disaster movies, Stephen Baxter
dishes the dirt on the writing secrets of SF, and Octavia Butler ponders the
nature of power.
(NEWS)
Offworld
Report June 2004: Weird Science
The Pentagon's science fiction weapons program (railgun warships, anyone?),
space tugs, a robot built out of DNA, NASA's wilder dreams, the fantasy folk
seen in Scotland, and why we should be begging China for a decent space race.
(NEWS)
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