|
Cartomancy by Mary Gentle
pub: Gollancz. 313 page enlarged paperback. Price:
£ 6.99 (UK). ISBN: 0-575-07532-5.
check out website: www.orionbooks.co.uk
From
time immemorial, people have had a desire to know what the future
holds for them. As a result, many methods of divination have been
devised.
In Roman times, the priests would examine the entrails of a sacrificial
animal to discover portents while the common man looked for omens
to decide if an action was appropriate. More recently the fall of
cards or rune stones have been examined to discover possible futures.
Elaborate calculations based on the movements of the stars still
keep astrologers busy.

Who can honestly say they have never peeked at their horoscope
in a newspaper or magazine? 'Cartomancy' is divination using maps.
The idea of cartomancy is used as a framing device for this collection
of stories published between 1983 and 2004. The title story, originally
published as a whole in 1991, is split into two with an introduction
to the magical map that has been painted on the walls of a room
in the Citadel of Virtue and a return to it in the final few pages
of the volume.
It is viewed by Elthyriel, the Knight-Patriarch of the Order of
Virtue, and the other stories represent what he sees. Unfortunately,
this framing device does not enhance the volume, mainly because
of the diversity of the other stories and the fact that there is
nothing within them to link back to the idea of cartomancy. The
only other reference to divination is in 'The Tarot Dice', a story
that contains characters which are precursors for those appearing
in Gentle's novel '1610: A Sundial In A Grave'. Nevertheless, all
the stories are worth reading on their own merit and each is accompanied
by an afterword by the author.
A high proportion of the stories involve physical conflict of some
kind and many of Gentle's fighters are women. Several have links
to her other works. 'The Logistics Of Carthage', for instance, is
set in the same alternative history as 'Ash' and is a precursor
by a decade or so for the novel. In the story, we meet Yolande,
a mercenary who followed her son to war, found that she had a talent
with a crossbow and out-lived him.
An impasse has ensued because the Abbott refuses to give one of
the company a proper burial because she is a woman. The captain
has left the corpse in the church until the monks relent. Neither
side will give way and the body rapidly begins to decay in the heat
of North Africa.
'The Road To Jerusalem' also has its roots in an alternative history.
Whereas 'The Logistics Of Carthage' deals with a Europe where the
country of Burgundy did not disappear from the maps in the 1477,
'The Road To Jerusalem' takes the idea of the Order of the Knights
Templar surviving to the present day. Both stories deal with honour.
In the former, it is the conflict between the honour of the monks
and the mercenaries that causes the stalemate.
In the latter, it is that of Hyacinthe Tadmartin, who despite being
giving dispensation for her vows to the Templars, refuses to break
them. She is put in an impossible position after being called to
give evidence at an enquiry into the deaths of civilians at the
hands of friendly fire. 'What God Abandoned' is another story that
plays with history.
Although Prague was sacked in 1620, it is not known if Rene Descartes
was with the army there. The ideas expressed in the story, though,
are connected with the ideas explored in greater depth in the 'White
Crow' stories and novels based around the premise of Hermetic science.
The military theme is continued in 'Orc's Drift' (written with Dean
Wayland and the only collaboration here).
This story is pure fun. The desert outpost is occupied by orcs
and the troops are bored. Then a fairy turns up... 'Anukazi's Daughter'
and 'A Shadow Under The Sea' are both set in the same fantasy world.
Both feature betrayals and both have strong, female warriors as
principal characters.
'A Sun In The Attic' could also be regarded as fantasy but of
a much gentler kind, with the emphasis on politics rather than warfare,
but like so much of Mary Gentle's work, there is room for doubt.
It could be Science Fiction. Here, the situation arises because
research into the applications of lenses could lead to revelations
best left uncovered.
The question is between the greater good of the people and scientific
development. 'Kitsune' is set in the present but continues the martial
theme with the narrator, Rowena, being a martial arts teacher. There
are hunters in 'The Pits Beneath The World' but the story is pure
Science Fiction using the theme of a misunderstanding between ours
and the alien's cultures to good effect. These and the other stories
in this volume are well crafted and are a fair representation of
Mary Gentle's work.
Most have female lead characters who are slightly out of kilter
with the rest of their society and most of these women are willing
to actually fight, sometimes with actual swords. They are all strongly
motivated. Don't expect softness or sentimentality from this writer.
Pauline Morgan
|