|
The Affinity Trap by Martin Sketchley
pub: Simon and Schuster. 306 page softcover. Price:
£10.99 (UK). ISBN: 0-7432-5734-0
check out website: www.simonsays.co.uk
This
story is set at the beginning of the 24th century, with the majority
of the Earth’s population living in giant habitat towers under a
military dictatorship.
Due to rising tensions with the Seriatt, a race of three-sexed
aliens, the leader of Earth's dictatorship, General Myson, has attempted
to forge an alliance with them. He does this by mating with the
Seriatt Royal Household's child bearer, Lycern, in order to produce
a child and seal the alliance.
Unfortunately, once Myson returns to Earth, Lycern
runs away to a rival planet. This is where our protagonist Alexander
Delgado comes in. An old school Military Intelligence Officer who
has fallen out of favour with the current regime, recovering Lycern
is offered as his chance to come back into the fold.

From the outset, the mission does not go smoothly
and quite soon Delgado ends up ignoring his mission briefing and
having sex with the Seriatt. During sex, the female Seriatt secrete
a highly individual, and highly addictive enzyme which has a quite
severe destabilising effect on human males' mental, physical and
emotional well being. All of which further complicates Delgado's
mission.
My first problem with this book: General Myson's
plan is to seal an alliance with the Seriatt by having a child by
one of them. THEY'RE ALIENS!! This is supposed to be a SCIENCE fiction
book. Horses and donkeys can mate and produce offspring, but horses
and dogs can't. Two species evolved under different suns certainly
can't and this is supposed to be a 'natural' conception and birth!!!
2nd Problem: Sketchley mentions terms like 'Military
Intelligence' a lot and the whole thing is supposedly set in a militaristic
society but it doesn't feel like one at all. Writers like David
Webber, David Drake, Eric Flint or Elizabeth Moon all do military
SF really well, this book didn't pull it off at all. The hierarchy
doesn't feel true and the fight scenes were just flat.
3rd Problem: There's a lot of stating of sudden dramatic
changes in mental and emotional outlook, but nothing to really back
those statements up. For example, Delgado suddenly becoming disaffected
with his career. Except there wasn't anything up to that point to
imply that he'd previously been as happy and contented in his career
as the author is now saying he was.
This kind of stating goes on all throughout the book.
E.g.
'Delgado met Bucky's eyes. And in a moment of absolute
clarity, he saw far beyond the young man's face. Messages passed
and links formed between the two men instantaneously and immediate
and mutual respect generated as they communicated in ways that transcended
the conscious mind. If either had been asked to explain the sensation,
neither would have been able to: it was the bond of kindred spirit,
a meeting of like souls, the reunion of lost twins.'
If that was it then, so what? But the entire book
is made up of this kind of twaddle.
Final Problem: It doesn't even end! 300 odd pages
of that tosh and there isn't even a conclusion; it’s going to be
a trilogy or series or something. I don't know. I don't care. I
certainly won’t be reading them either way.
Rachel Broome
|
|
OTHER REVIEWS - May 2004
Non Fiction
Mythology: The DC Comics Art Of
Alex Ross
Futures: 50 Years In Space The
Challenge Of The Stars by David A. Hardy and Patrick Moore
Lyra’s Oxford by Philip Pullman
Tolkien: A Cultural Phenomenon:
Second Edition by Brian Roseberry
DVDs
Millennium
Babylon 5: The Complete First
Season: Signs and Portents
Fantasy
Jinn by Matthew B.J. Delaney
Midnight Tides by Steven Erikson
The Siege Of Mithila by Ashok
K. Banker
Broken Crescent by S. Andrew Swann
The Magician’s Guild by Trudi
Canavan
The Destroyer Goddess by Laura
Resnick
Fool's Errand by Robin Hobb
White Wolf by David Gemmell
The Weavers Of Saramyr by Chris
Wooding
The Iron Grail by Robert Holdstock
Faerie Tales edited by Martin H.
Greenberg and Russell Davies
Darknesses by L.E. Modesitt, Jr.
Slipstream
Changing Of Faces by Tim Lebbon
Karloff’s Circus by Steve Aylett
The Well Of Lost Plots by Jasper
Fforde
Science Fiction
The Golden Globe by John Varley
Market Forces by Richard Morgan
It Came From Outer Space screenplay
by Ray Bradbury
A Gift Of Dragons by Anne McCaffrey
Zero Calvin by Brian Cramer
Different Kinds Of Darkness by
David Langford
Felaheen The Third Arabesk by
Jon Courtenay Grimwood
Absolution Gap by Adrian Reynolds
The Line Of Polity by Neal Asher
The Affinity Trap by Martin Sketchley
Natural History by Justina Robson
Horror
Living Dead In Dallas by Charlaine
Harris
Magazines
Challenging Destiny # 17
CHAT
ABOUT THIS STORY
Advertise
Here (More ...)
|