| Spielberg
beaten to War of the Worlds by secretly shot English rival Pendragon
Pictures surprise Spielberg with shock new movie based on H.G. Wells novel.
In news fit to set Steven Spielberg's
hair on end, Pendragon Pictures has just announced the completion of principal
photography on their take of H.G. Wells' The War Of The Worlds. Set in Wells'
intended turn-of-the-century English locale, the movie is the world's first authentic
adaptation of the H.G. Wells classic 1898 novel. 
The
live-action production, lensed in complete security under the cover title The
Great Boer War, taking two and a half months to complete on location in England
and the Pacific Northwest. The picture wrapped almost three years to the date
when Pendragon's original updated version of War Of The Worlds was shut down due
to the events of September 11th. 
Director
Timothy Hines reflected to the 'Nest, "We never stopped really. After an
initial two-week hiatus, we saw the light in adapting a dead-on accurate version
of The War Of The Worlds from the original source material, thanks to the influence
and advice of people such as Charles Keller, the director of the H.G. Wells Society
and tens of thousands of fans who wrote us." 
A
script was immediately begun as the production company shot out a sci-fi movie
about robot slaves called Chrome, in order to protect their resources. The
War Of The Worlds has been a labor of love for the principals at Pendragon. "We
haven't rushed anything," producer Susan Goforth told the 'Nest. "Every
period detail has been painstakingly and carefully researched over the last three
years as we developed the project." 
Co-producer
John Gallo added, "Timothy wanted everything to be right, as the fans' expectations
are enormous. Like Peter Jackson with Lord of the Rings, Timothy is a deep fan
of The War Of The Worlds. He's been planning to make the movie for decades. The
research was grueling and information was sometimes extremely difficult to obtain,
such as finding the right class of ship the Thunderchild would have been. But
it was worth it. In the end, Tim's vision proved to be right. The movie is detail
perfect." The cast is packed with highbrow actors, such as Jack Clay,
founder of the first Professional Actor's Training Program at Southern Methodist
University, upon which virtually all other collegiate programs are based. Jack
Clay was the acting teacher of many phenomenal talents, such as Academy award-winning
actress Kathy Bates and Val Kilmer's opponent in Tombstone, Powers Boothe. 
"We
didn't have a jillion dollars," an amused Hines told SFcrowsnest, "But
our budget is not embarrassing as we're in eight figures. We certainly could afford
movie stars. But I felt dubious about casting huge movie stars like, when, for
our first version, we negotiated with Michael Caine, Charlize Theron and Eric
Stoltz. The Hollywood agents' methods of negotiation are frustrating and enigmatic
to me. Like when Michael Caine's agent claimed at one point to have never spoken
with me. "When I showed her a pile of faxes and emails between us,
she had an assistant call me back and confirm, 'Yes, we are talking.' Instead,
we turned to the world's greatest undiscovered talent. For the main protagonist
we auditioned twelve hundred and, ironically, found him in our own back yard in
the form of Anthony Piana, who portrays the sociopathic Colonel Zet in Chrome.
I believe Anthony is the next Al Pacino. His level of commitment and talent is
like no actor I've ever seen." 
Other
cast members include James Lathrop as the Artilleryman and John Kaufmann as the
Curate. In response to fans' concerns about the polish and punch of the
special effects, Hines was quick to comment, "We have the best and brightest
talent in the FX department. The War Of The Worlds is such a known entity that
we didn't have to seek them out. They came to us with enthusiasm and a deep desire
to be involved. Budget and fees has not been a concern to these people. They are
fans, like myself, and are creating this picture with love and integrity. Our
effects will be state-of-the-art. We are utilizing both CGI and miniatures as
well as many full-scale mechanical effects that were already shot out on set.
Besides, the fans can go to our website and check out our movie trailer for Chrome
if they have fears." 
Concerning
the announced Spielberg/Cruise production, Timothy Hines is philosophical, "We
communicated with the principals at Paramount before 9/11. They acknowledged in
writing through their attorneys that we can make our picture. At that time an
Executive producer on Dreamworks' The Time Machine invited us to his home in Las
Vegas, where he informed us that Tom Cruise had aspirations to make the picture.
They essentially all told us to go away. Since then, many friends and allies of
Tom Cruise have communicated to us the same sentiment. "Now that they
have announced that they are doing a modern version, I think there's room for
both our productions to exist. What they are doing sounds interesting. From what
I understand, they are changing the story dramatically, whereas we have point-by-point
recreated the book for the screen. Our production of The War Of The Worlds is
set at the turn-of-the-century. We're almost a back story to their version, sort
of like a prequel." 
As
to the planned Jeff Wayne animated version of The War Of The Worlds, the Pendragon
principals were repeatedly approached by Wayne's representatives to work out some
form of collaboration, but nothing came of the communications. "I think the
Wayne production should be a lot of fun," says Hines. "There's room
for us all. Wells was a mega-talent and an incredible visionary. I'm sure the
staying power of his Martian invasion story helped bring NASA more hits to their
website than any in history when they landed their robot on Mars. Wells would
likely have been amused by all the interest in his work. I'm proud to be the first
to accurately bring H.G. Wells' The War Of The Worlds to the screen." Pendragon
Pictures expects a spring 2005 release for H.G. Wells' The War Of The Worlds,
however the exact date will be announced by Pendragon's distributor at MIPCOM
this October.
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OTHER CONTENT - September 2004
Steve Cockayne Interview Steve talks about his novel Wanderers and Islanders, being influenced by C.S. Lewis and Herman Hesse, and working as a TV cameraman, a puppeteer, and dabbling in hypnotherapy (AUTHOR INTERVIEWS)
Tanith Lee Interview Author Tanith speaks with SFF literary agent John Jarrold about how people are the starting point for her fiction, tackling pirates with Piratica, and being influenced by Rider Haggard, Viereck and Eldridge. (AUTHOR INTERVIEWS)
Eurocon 2004 Radi Radev reports from this year's European Science Fiction Convention. While the convention was first created in 1972 in Triest, Italy, this was the first year it's been hosted in Bulgaria. (CON REPORTS)
Westercon 2004 Mark reports on the movies at Westercon. The trailers seemed to be better accepted by the audience than they have been at recent Worldcons, while the presentation was a little more polished - and the films seemed of a higher quality. (CON REPORTS)
Code 46 Mark discovers that Code 46 is a very odd piece of science fiction. It is a film with some very nice material that tries some interesting ideas, but it fails to capture the viewer. Its flaws outweigh its virtues. (FILM REVIEWS)
The Bourne Supremacy Robert Ludlum's mysterious United States government assassin again returns to the big screen from what some assumed and hoped was death. Again we have a complex plot with twists and doublecrosses. Again the infallible and deadly assassin is pitted against the agency that made him what he is. (FILM REVIEWS)
Offworld Report: Science Fiction and Fantasy: September 2004 Interviews with Keith Brooke, Geoff Ryman, Gerry Anderson and the co-producer of the new Sapphire and Steel series, short fiction by John Grant and Walter Jon Williams, and Locus Magazine's excellent primer on genre audiobooks. (NEWS)
Offworld Report: Weird Science: September 2004 The latest tiny flying robot, why Martian astronauts may need replacement body
tissue, harvesting helium-3 from the Moon, the threat to humanity from giant tsunamis and super volcanoes, and the possibility of life on Venus. (NEWS)
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